John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 59
... listening to radio . When you were young · No , I do remember now . I can take it back a little bit . I had a tendency to listen to the news . Did you like radio comedy ? No. My mother and father did , but I didn't . There's one thing ...
... listening to radio . When you were young · No , I do remember now . I can take it back a little bit . I had a tendency to listen to the news . Did you like radio comedy ? No. My mother and father did , but I didn't . There's one thing ...
Seite 61
... listening to the radio . What other radio experiences do you remember from the twenties ? I was very impressed by the Columbia Workshop plays ; they seemed to be worth listening to . My mood for entertainment , when I was young , was ...
... listening to the radio . What other radio experiences do you remember from the twenties ? I was very impressed by the Columbia Workshop plays ; they seemed to be worth listening to . My mood for entertainment , when I was young , was ...
Seite 65
... listening all sorts of requests which I wrote down verbally and musically ; and when I took them to the sound - effects man , he then told me , if you please , that what I'd written was impossible . Just as those solicitous musicians ...
... listening all sorts of requests which I wrote down verbally and musically ; and when I took them to the sound - effects man , he then told me , if you please , that what I'd written was impossible . Just as those solicitous musicians ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York