John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 3
... music , theater , literature , and visual art . As a de facto esthetician , he had a discernible influence upon the ... musical scoring , idiosyncratically structured theatrical events , and unique literary forms . Perhaps because Cage ...
... music , theater , literature , and visual art . As a de facto esthetician , he had a discernible influence upon the ... musical scoring , idiosyncratically structured theatrical events , and unique literary forms . Perhaps because Cage ...
Seite 14
... musical theater , although more than one critic has praised them as the most interesting and valid species of Amer- ican " opera . " Over the years , Cage published a modest number of eccentrically conceived essays , mostly in music and ...
... musical theater , although more than one critic has praised them as the most interesting and valid species of Amer- ican " opera . " Over the years , Cage published a modest number of eccentrically conceived essays , mostly in music and ...
Seite 86
... music , this instruction eventually implied , by analogy , that “ theater ” could be said to exist as soon as the perceiver's mind wished to define it . " Theater takes place all the time , wherever one is , " Cage wrote in Silence ...
... music , this instruction eventually implied , by analogy , that “ theater ” could be said to exist as soon as the perceiver's mind wished to define it . " Theater takes place all the time , wherever one is , " Cage wrote in Silence ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York