John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 35
... nonhierarchical space , incidentally resembling , more than anything else , not painterly construc- tivism but expressionist paintings by Jackson Pollock , who , we remember , was likewise concerned with the possibilities of non ...
... nonhierarchical space , incidentally resembling , more than anything else , not painterly construc- tivism but expressionist paintings by Jackson Pollock , who , we remember , was likewise concerned with the possibilities of non ...
Seite 36
... nonhierarchical and nonfocused . That is , where a con- ventional music score consists of horizontal staves that ... nonhierarchic , nonfocused time and space , full of activi- ties that have neither a definite beginning nor a definite ...
... nonhierarchical and nonfocused . That is , where a con- ventional music score consists of horizontal staves that ... nonhierarchic , nonfocused time and space , full of activi- ties that have neither a definite beginning nor a definite ...
Seite 39
... nonhierarchical structure represents a radical depar- ture from the traditional notions of anthologies or magazines , which require that the editor " responsible for the book " put the best stuff toward the front and the weaker stuff ...
... nonhierarchical structure represents a radical depar- ture from the traditional notions of anthologies or magazines , which require that the editor " responsible for the book " put the best stuff toward the front and the weaker stuff ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York