John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 15
... once wrote , " not by reason of its content or ambiguity but by reason of its allowing musical elements ( time , sound ) to be introduced into the world of words . " Cage led a vagabond life , as his physical movement par- alleled his ...
... once wrote , " not by reason of its content or ambiguity but by reason of its allowing musical elements ( time , sound ) to be introduced into the world of words . " Cage led a vagabond life , as his physical movement par- alleled his ...
Seite 21
... once . If pressed , Cage would admit that evaluative standards often informed the choices he made in his daily activity . " When I am making them , " he mused , " I'm annoyed that I am doing so . " " In Zen they say : If something is ...
... once . If pressed , Cage would admit that evaluative standards often informed the choices he made in his daily activity . " When I am making them , " he mused , " I'm annoyed that I am doing so . " " In Zen they say : If something is ...
Seite 26
... Once back home in Los Angeles , he asked to study with Arnold Schoenberg , who had emigrated there . Though Schoenberg thought enough of Cage to give him free lessons , he eventually told the young man he lacked talent for harmony . In ...
... Once back home in Los Angeles , he asked to study with Arnold Schoenberg , who had emigrated there . Though Schoenberg thought enough of Cage to give him free lessons , he eventually told the young man he lacked talent for harmony . In ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York