John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 133
... operas , light opera , and religious music . All of this came out in the improvisation . It assumes possession and it recasts . There is a kind of irreverent reverence that Americans are likely to have for materials of the past . -Ralph ...
... operas , light opera , and religious music . All of this came out in the improvisation . It assumes possession and it recasts . There is a kind of irreverent reverence that Americans are likely to have for materials of the past . -Ralph ...
Seite 136
... opera , was never before written like this . " Originally I thought to have the music [ of Europera ] be the music in the repertoire of operas of that particular opera house , so that both the sets and the costumes would already exist ...
... opera , was never before written like this . " Originally I thought to have the music [ of Europera ] be the music in the repertoire of operas of that particular opera house , so that both the sets and the costumes would already exist ...
Seite 139
... opera , but indeed two ' comic ' operas - in which the essence of the most European of all traditional forms of theater creates a constellation , namely , the total col- lage of what comprises the quintessence of those forms and at the ...
... opera , but indeed two ' comic ' operas - in which the essence of the most European of all traditional forms of theater creates a constellation , namely , the total col- lage of what comprises the quintessence of those forms and at the ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York