John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 49
... original . In HPSCHD the idea is the grandest mix of harpsichord music from Mozart to the present on one hand and scrupulously uninflected microtonal din on the other . In Williams Mix Cage used the newly developed technology of ...
... original . In HPSCHD the idea is the grandest mix of harpsichord music from Mozart to the present on one hand and scrupulously uninflected microtonal din on the other . In Williams Mix Cage used the newly developed technology of ...
Seite 83
... original they will doubtlessly make sense to some , nonsense to others . However , just as Cage could not write a linear exposito- ry essay ( and his book itself cannot be " read " in the conven- tionally linear way ) , so I find myself ...
... original they will doubtlessly make sense to some , nonsense to others . However , just as Cage could not write a linear exposito- ry essay ( and his book itself cannot be " read " in the conven- tionally linear way ) , so I find myself ...
Seite 155
... original English text appears , along with Cage's spikey preface , in his collection of writings , X [ 1983 , 1986 ] . ) The WDR production of Ein Alphabet honors the con- ventions of traditional radio theater , in that certain roles ...
... original English text appears , along with Cage's spikey preface , in his collection of writings , X [ 1983 , 1986 ] . ) The WDR production of Ein Alphabet honors the con- ventions of traditional radio theater , in that certain roles ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York