John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 52
... percussion instruments , suitable for the dance by Syvilla Fort for which it was composed . " Cage at the time had been collecting an arsenal of percussion instru- ments , so that his doctoring of the piano , usually by inserting bolts ...
... percussion instruments , suitable for the dance by Syvilla Fort for which it was composed . " Cage at the time had been collecting an arsenal of percussion instru- ments , so that his doctoring of the piano , usually by inserting bolts ...
Seite 58
... percussion instru- ments ; but when I got there I discovered that there was a radio station in connection with the school , like a big outhouse . The same building is still there , though now it's used , I think , for pottery . But then ...
... percussion instru- ments ; but when I got there I discovered that there was a radio station in connection with the school , like a big outhouse . The same building is still there , though now it's used , I think , for pottery . But then ...
Seite 183
... percussion pieces 1940 1941 Moves to Chicago 1942 1943 1944 Moves to New York ; music for Credo in Us ( dance by Cunningham ) Percussion Ensemble concert at Museum of Modern Art Invention of the Vocoder , first electronic instrument to ...
... percussion pieces 1940 1941 Moves to Chicago 1942 1943 1944 Moves to New York ; music for Credo in Us ( dance by Cunningham ) Percussion Ensemble concert at Museum of Modern Art Invention of the Vocoder , first electronic instrument to ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York