John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 10
... performance of a piece would be hugely different from all the others . In Winter Music ( 1957 ) , for instance , the score consists of clusters of notes irregularly displayed across its twenty pages ; these may be " used in whole or ...
... performance of a piece would be hugely different from all the others . In Winter Music ( 1957 ) , for instance , the score consists of clusters of notes irregularly displayed across its twenty pages ; these may be " used in whole or ...
Seite 22
... performance , which are closer to inspired play than hard - nosed work , as harbingers of the new age . His later writings seemed explorations in interdis- ciplinary thought , much as his later performance pieces are explorations in ...
... performance , which are closer to inspired play than hard - nosed work , as harbingers of the new age . His later writings seemed explorations in interdis- ciplinary thought , much as his later performance pieces are explorations in ...
Seite 176
... performance of Indeterminacy has been reissued as Smithsonian - Folkways CDs ( SF 40804-5 ) . HPSCHD appeared only as a Nonesuch record ( H- 71224 ) , along with an ingenious instruction sheet for varying the performance on one's home ...
... performance of Indeterminacy has been reissued as Smithsonian - Folkways CDs ( SF 40804-5 ) . HPSCHD appeared only as a Nonesuch record ( H- 71224 ) , along with an ingenious instruction sheet for varying the performance on one's home ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York