John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 11
... piece " non - intentional ” music . Not only did 4'33 " contribute to musical history by bring- ing the chaotic musical tradition to one " logical " end point , but also it belongs among those rare modern pieces that are impor- tant ...
... piece " non - intentional ” music . Not only did 4'33 " contribute to musical history by bring- ing the chaotic musical tradition to one " logical " end point , but also it belongs among those rare modern pieces that are impor- tant ...
Seite 13
... piece of recording tape are glued together ) of varying lengths . Cage specified the unusually large number , he explained , " to make sure that the performers wouldn't select tapes only of their favorite pieces . " At the beginning of ...
... piece of recording tape are glued together ) of varying lengths . Cage specified the unusually large number , he explained , " to make sure that the performers wouldn't select tapes only of their favorite pieces . " At the beginning of ...
Seite 87
... piece on a record of that title , while David Tudor makes random noises in another room , Indeter- minacy is very much about variations in prose tempo as well as the random interactions between musical sounds and verbal- ized words ...
... piece on a record of that title , while David Tudor makes random noises in another room , Indeter- minacy is very much about variations in prose tempo as well as the random interactions between musical sounds and verbal- ized words ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York