John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 39
... poetry . Cage's later work with Thoreau , Empty Words , is more poetic , as Cage now used four classes of elements : phrases from Thoreau , words , sylla- bles , and finally letters . In the four sections of the piece , the material ...
... poetry . Cage's later work with Thoreau , Empty Words , is more poetic , as Cage now used four classes of elements : phrases from Thoreau , words , sylla- bles , and finally letters . In the four sections of the piece , the material ...
Seite 119
... poetry : language , line , syntax , and meter . ( In this sense Cage's principal poetic precursors are Whitman , Cummings , and Gertrude Stein . ) Considered in this way , Cage was not a liter- ary curiosity but an exemplary American ...
... poetry : language , line , syntax , and meter . ( In this sense Cage's principal poetic precursors are Whitman , Cummings , and Gertrude Stein . ) Considered in this way , Cage was not a liter- ary curiosity but an exemplary American ...
Seite 147
... poetic texts that , by operations mixing choice and chance , drew selectively upon prior texts . ( He spoke of his results as " poetry , " as do I , because they can- not be classified anywhere else . ) For Empty Words he chose ...
... poetic texts that , by operations mixing choice and chance , drew selectively upon prior texts . ( He spoke of his results as " poetry , " as do I , because they can- not be classified anywhere else . ) For Empty Words he chose ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York