John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 34
... polyartist , which is my coinage for someone who excels at two or more nonadjacent arts . This term , polyartist , is magical , because , like all good critical terms , it not only clari- fies a concern that is otherwise inchoate , but ...
... polyartist , which is my coinage for someone who excels at two or more nonadjacent arts . This term , polyartist , is magical , because , like all good critical terms , it not only clari- fies a concern that is otherwise inchoate , but ...
Seite 40
... polyartist finds new media for his signature . The poly- artist imposes a profoundly different interpretation upon the critical issue of consistency amid variousness — his unities are horizontal , across the arts , rather than ...
... polyartist finds new media for his signature . The poly- artist imposes a profoundly different interpretation upon the critical issue of consistency amid variousness — his unities are horizontal , across the arts , rather than ...
Seite 43
... polyartist is itself a libertarian gesture , an assertion not only that the old pigeonholes should be exploded but that no one art has a nec- essarily higher status than any other . Need I say that given the professionalism of the arts ...
... polyartist is itself a libertarian gesture , an assertion not only that the old pigeonholes should be exploded but that no one art has a nec- essarily higher status than any other . Need I say that given the professionalism of the arts ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York