John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
Im Buch
Ergebnisse 1-3 von 39
Seite 7
... radical minds of his age . At the core of his originality was a continual penchant for taking positions not only far in advance of established artistic practice , including often his own activity , but also beyond the imaginative ...
... radical minds of his age . At the core of his originality was a continual penchant for taking positions not only far in advance of established artistic practice , including often his own activity , but also beyond the imaginative ...
Seite 23
... radical developments in post - Cunningham dance - the collection of adventurous performance activities of the Judson Church movement . Cage's influence also helped raze the lines that tra- ditionally separated one art from another ...
... radical developments in post - Cunningham dance - the collection of adventurous performance activities of the Judson Church movement . Cage's influence also helped raze the lines that tra- ditionally separated one art from another ...
Seite 92
... radical antitheses have stimulated others to produce their own syntheses . Sometimes Cage created radical antitheses for himself to synthesize by acting in an extreme way , perhaps with a spe- cial kind of irony , an artist can force ...
... radical antitheses have stimulated others to produce their own syntheses . Sometimes Cage created radical antitheses for himself to synthesize by acting in an extreme way , perhaps with a spe- cial kind of irony , an artist can force ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York