John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 58
... radio and audiotape , including the assembly of Williams Mix ( 1952 ) . When did you first work creatively with radio ? When I went to Seattle and took the job as dance accompanist for the classes of Bonnie Bird , I was attracted there ...
... radio and audiotape , including the assembly of Williams Mix ( 1952 ) . When did you first work creatively with radio ? When I went to Seattle and took the job as dance accompanist for the classes of Bonnie Bird , I was attracted there ...
Seite 61
... radio or watching television . How long did your juvenile radio career go ? That lasted for two years . Isn't that amazing ? And it was so popular that it became a two - hour program , and the Boy Scouts became jealous . They came to the ...
... radio or watching television . How long did your juvenile radio career go ? That lasted for two years . Isn't that amazing ? And it was so popular that it became a two - hour program , and the Boy Scouts became jealous . They came to the ...
Seite 69
... radio at that time . Radio Music [ 1956 ] and Speech [ 1955 ] “ for five radio and newsreader , " it says in your catalog . Well they're slightly different , but the radio piece was written more or less to please the people who were ...
... radio at that time . Radio Music [ 1956 ] and Speech [ 1955 ] “ for five radio and newsreader , " it says in your catalog . Well they're slightly different , but the radio piece was written more or less to please the people who were ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York