John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 58
... records , to use records as instruments . How did you use records as instruments ? Well , the record makes a sound and the speed of the record changes the pitch of it , and the turntables that we had then one no longer sees ; but each ...
... records , to use records as instruments . How did you use records as instruments ? Well , the record makes a sound and the speed of the record changes the pitch of it , and the turntables that we had then one no longer sees ; but each ...
Seite 59
... record player would play one record at a time and then I'd change it and play another record . So you could go swiftly from one record to another . Not swiftly , but you could go properly . Was the sound modified at all after it went ...
... record player would play one record at a time and then I'd change it and play another record . So you could go swiftly from one record to another . Not swiftly , but you could go properly . Was the sound modified at all after it went ...
Seite 144
... record- ing of HPSCHD that , while only a partial representation of that piece's original performance , has nonetheless survived as an interesting record , the epitome of sustained chaotic sound . ( I remember Aaron Copland , hosting a ...
... record- ing of HPSCHD that , while only a partial representation of that piece's original performance , has nonetheless survived as an interesting record , the epitome of sustained chaotic sound . ( I remember Aaron Copland , hosting a ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York