John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 72
... score has nearly five hundred pages and , therefore , it has not been reproduced . The original is at [ C. F. ] Peters , I think . It would be too expensive to multiply it ; so I don't think many people are aware of it . I have ...
... score has nearly five hundred pages and , therefore , it has not been reproduced . The original is at [ C. F. ] Peters , I think . It would be too expensive to multiply it ; so I don't think many people are aware of it . I have ...
Seite 77
... score - that dressmaker's score ; but it isn't possible to get it precisely together . A score for playing all eight tapes at once . Well , to make them , to splice them , and theoretically , of course , they would all sound together ...
... score - that dressmaker's score ; but it isn't possible to get it precisely together . A score for playing all eight tapes at once . Well , to make them , to splice them , and theoretically , of course , they would all sound together ...
Seite 110
... score contains is a wealth of inventive instruc- tions that can be read apart from musical realization ; which is to say that the Song Books can be appreciated as a book . The instructions fall into four groups : " 1 ) song ; 2 ) song ...
... score contains is a wealth of inventive instruc- tions that can be read apart from musical realization ; which is to say that the Song Books can be appreciated as a book . The instructions fall into four groups : " 1 ) song ; 2 ) song ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York