John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 134
... singers would be allowed to select which out - of - copyright arias they might sing , but only in the performance itself would they find out when and where ( or if ) . The singers were to follow not a conductor but digital time displays ...
... singers would be allowed to select which out - of - copyright arias they might sing , but only in the performance itself would they find out when and where ( or if ) . The singers were to follow not a conductor but digital time displays ...
Seite 136
... singer was stretched out from his normal height to twelve feet , a super attached the cables that executed the illusion ... singers and be forty - five min- utes long . The book - length score must be seen to be believed . After Cage's ...
... singer was stretched out from his normal height to twelve feet , a super attached the cables that executed the illusion ... singers and be forty - five min- utes long . The book - length score must be seen to be believed . After Cage's ...
Seite 141
... singers rarely acknowledge one another . Bouncing around the stage is another set of performers , some in leotards , others informally dressed , who go about their bits only occa- sionally aware of the singers . The stage lights point ...
... singers rarely acknowledge one another . Bouncing around the stage is another set of performers , some in leotards , others informally dressed , who go about their bits only occa- sionally aware of the singers . The stage lights point ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York