John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 34
... someone who excels at two or more nonadjacent arts . This term , polyartist , is magical , because , like all good critical terms , it not only clari- fies a concern that is otherwise inchoate , but it dispenses with false issues and ...
... someone who excels at two or more nonadjacent arts . This term , polyartist , is magical , because , like all good critical terms , it not only clari- fies a concern that is otherwise inchoate , but it dispenses with false issues and ...
Seite 127
... someone asks you , as I had planned to do , what is the difference between hearing it and reading it , you would reply that there is no reading without hearing - you haven't read the text unless you've heard it . So , therefore , one ...
... someone asks you , as I had planned to do , what is the difference between hearing it and reading it , you would reply that there is no reading without hearing - you haven't read the text unless you've heard it . So , therefore , one ...
Seite 129
... someone gets up and leaves during the course of the reading , but at the same perfor- mance someone will come to me after the reading and say that I could have gone on forever . As far as he was concerned , it would have been a pleasure ...
... someone gets up and leaves during the course of the reading , but at the same perfor- mance someone will come to me after the reading and say that I could have gone on forever . As far as he was concerned , it would have been a pleasure ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York