John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 13
... spectators trickle out after every cacopho- nous climax . At the premiere performance , refreshments were served when the audience dwindled to twelve ; and the piece ter- minated , by prearrangement , when the last spectator left the ...
... spectators trickle out after every cacopho- nous climax . At the premiere performance , refreshments were served when the audience dwindled to twelve ; and the piece ter- minated , by prearrangement , when the last spectator left the ...
Seite 87
... spectator can be deceived into accepting the surface as the entire point — as silence is simply no sound , so stories are just anecdotes - but more significant meanings are invariably implied or inferred , by the piece , the spectator ...
... spectator can be deceived into accepting the surface as the entire point — as silence is simply no sound , so stories are just anecdotes - but more significant meanings are invariably implied or inferred , by the piece , the spectator ...
Seite 161
... spectators are continually distracted by activities at the sides of their attention ( and thus nudge one another to look elsewhere ) . In my John Cage ( 1970 , 1991 ) is his recollection of his piece Musicircus ( November 17 , 1967 ) ...
... spectators are continually distracted by activities at the sides of their attention ( and thus nudge one another to look elsewhere ) . In my John Cage ( 1970 , 1991 ) is his recollection of his piece Musicircus ( November 17 , 1967 ) ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York