John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
Im Buch
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Seite 37
... stanzas , the Arabic numbers the amount of words permitted to each type- face , the symbols refer to results derived from chance operations , as translated into terms suitable for con- sulting the I Ching . Now that I have acknowledged ...
... stanzas , the Arabic numbers the amount of words permitted to each type- face , the symbols refer to results derived from chance operations , as translated into terms suitable for con- sulting the I Ching . Now that I have acknowledged ...
Seite 123
... stanzas . That is to say that one part of it is separated from another part . And the parts were determined by the appearance of a period following whatever word , syllable , or letters that were chance - obtained . Let me go back to ...
... stanzas . That is to say that one part of it is separated from another part . And the parts were determined by the appearance of a period following whatever word , syllable , or letters that were chance - obtained . Let me go back to ...
Seite 126
... stanza , and beside you as you read is a stopwatch . You have other marks suggesting where words should be divided ... stanzas so that reading them became more practical . Not a great many , but , like , four seconds . I was delighted ...
... stanza , and beside you as you read is a stopwatch . You have other marks suggesting where words should be divided ... stanzas so that reading them became more practical . Not a great many , but , like , four seconds . I was delighted ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York