John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 80
... stories assume that all will turn out well in the end . The acoustic innovation is the one - minute story , declaimed at speeds reflective of the stories ' lengths , in sum redeeming the otherwise decadent form of the solo literary ...
... stories assume that all will turn out well in the end . The acoustic innovation is the one - minute story , declaimed at speeds reflective of the stories ' lengths , in sum redeeming the otherwise decadent form of the solo literary ...
Seite 81
... stories together in an unplanned way , " Cage writes in Silence , " was to suggest that all things — stories , incidental sounds from the environment , and , by extension , beings - are related , and that this complexity is more evident ...
... stories together in an unplanned way , " Cage writes in Silence , " was to suggest that all things — stories , incidental sounds from the environment , and , by extension , beings - are related , and that this complexity is more evident ...
Seite 87
... stories , each of which is less than a minute in length when read aloud . When Cage performs this piece on a record of that title , while David Tudor makes random noises in another room , Indeter- minacy is very much about variations in ...
... stories , each of which is less than a minute in length when read aloud . When Cage performs this piece on a record of that title , while David Tudor makes random noises in another room , Indeter- minacy is very much about variations in ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York