John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
Im Buch
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Seite 89
... theme of A Year from Monday is fortuitous hap- penstance , as the book is riddled with observations on how delightfully random both art and life can be . Cage's definition of environmental reality arose from his esthetic bias : " We ...
... theme of A Year from Monday is fortuitous hap- penstance , as the book is riddled with observations on how delightfully random both art and life can be . Cage's definition of environmental reality arose from his esthetic bias : " We ...
Seite 90
... theme is that the conventions of familiar media inevitably compromise the furthest - reaching esthetics . Most of the prose pieces collected in A Year from Mon- day deal with varieties of coherence in intentionally unstruc- tured ...
... theme is that the conventions of familiar media inevitably compromise the furthest - reaching esthetics . Most of the prose pieces collected in A Year from Mon- day deal with varieties of coherence in intentionally unstruc- tured ...
Seite 148
... theme becoming medita- tions on a scale at once personal and sociopolitical . Because its effects are so drawn out ... themes is the possibility of less - syntactic verbal communication . Just as his Europera ( 1987 ) ranks among his 148 ...
... theme becoming medita- tions on a scale at once personal and sociopolitical . Because its effects are so drawn out ... themes is the possibility of less - syntactic verbal communication . Just as his Europera ( 1987 ) ranks among his 148 ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York