John Cage (ex)plain(ed)Schirmer Books, 1996 - 194 Seiten No composer was more controversial, prolific, or more misunderstood than John Cage (1912-1992). No critic has spent more years defending Cage and his work than Richard Kostelanetz. This work summarizes a lifetime's study of Cage's music, literary works, art, and philosophy. It both introduces Cage to the neophyte and offers valuable insights for the seasoned listener. |
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Seite 38
... tones randomly produced within scales divided by every integer from five tones to an octave to fifty - six tones to an octave ( except for the standard twelve tones to an octave ) . In brief , a computer is instructed to generate random ...
... tones randomly produced within scales divided by every integer from five tones to an octave to fifty - six tones to an octave ( except for the standard twelve tones to an octave ) . In brief , a computer is instructed to generate random ...
Seite 52
... tone apart ; and Henry Cowell him- self created severe pianistic dissonances , such as those made by depressing whole blocks of successive tones , that bore little resemblance to early twentieth - century " atonality . " Perhaps Cage's ...
... tone apart ; and Henry Cowell him- self created severe pianistic dissonances , such as those made by depressing whole blocks of successive tones , that bore little resemblance to early twentieth - century " atonality . " Perhaps Cage's ...
Seite 101
Richard Kostelanetz. divided at every integer between five and fifty - six tones to the octave ( five tones , six ... tone gamut . " The seventh keyboard operator , Philip Cor- ner , had nothing more specific than blanket permission to ...
Richard Kostelanetz. divided at every integer between five and fifty - six tones to the octave ( five tones , six ... tone gamut . " The seventh keyboard operator , Philip Cor- ner , had nothing more specific than blanket permission to ...
Inhalt
Fomenter of Radical Consciousness | 7 |
CunninghamCage | 25 |
John Cage Polyartist | 34 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abundance acoustic American arias Arnold Schoenberg artistic audience audiotape aural avant-garde Cage wrote Cage's Cage's music Cagean chance operations choreography composed composition critic dance David Tudor devotion discipline Earle Brown electronic Empty Words Erik Satie essays esthetic Europera experience film Finnegans Wake hear Henry Cowell HPSCHD ideas Imaginary Landscape imaginative imitation indeterminacy indeterminate innovation instruments intention interpenetration Jasper Johns John Cage language lecture listening Marcel Duchamp Merce Cunningham mesostic Millrose Games Monday Morton Feldman Mozart multitrack Mureau musicians nonetheless nonhierarchical notation once opera original percussion performance pianist piece play poetry politics polyartist possible premiered prepared piano produced prose radical radio record Roaratorio Robert Rauschenberg Rolyholyover score Silence singers Solo for Voice Sonatas and Interludes Song Books sounds space stanzas stories structure tape theater theatrical theme things Thoreau thought tion told tones traditional twelve University visual art wanted Writings Through Finnegans York