John KeatsRomantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, ""In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare."" Keats' more recognizable poems include ""Ode on a Grecian Urn,"" ""Ode to a Nightingale,"" and ""Ode on Melancholy."" Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
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Página 99
I have said that our criticism binds ' Hyperion ' and ' The Fall ' by their common
subject matter and distinguishes them with respect to their antithetical ways of
framing this material . Both poems are said to be about the Titanic - Olympian ...
I have said that our criticism binds ' Hyperion ' and ' The Fall ' by their common
subject matter and distinguishes them with respect to their antithetical ways of
framing this material . Both poems are said to be about the Titanic - Olympian ...
Página 101
TOMAS eht di for & - of Bull to C MOKE earth INCE des i to lift himself above '
Hyperion ' s severe virility . He doesn ' t realize that in order to gain a reflexive
position on his achievement , he must construct a specifically Miltonic idiom : not
just a ...
TOMAS eht di for & - of Bull to C MOKE earth INCE des i to lift himself above '
Hyperion ' s severe virility . He doesn ' t realize that in order to gain a reflexive
position on his achievement , he must construct a specifically Miltonic idiom : not
just a ...
Página 121
the corresponding phrase in ' Hyperion ' , line 68 , is ' Oh , [ O ] thoughtless . . . I (
my emphasis ) . The obvious question is why Keats thus violates the solitude of '
The Fall with a phrase that out - Miltons Milton ? Why indeed , but to represent ...
the corresponding phrase in ' Hyperion ' , line 68 , is ' Oh , [ O ] thoughtless . . . I (
my emphasis ) . The obvious question is why Keats thus violates the solitude of '
The Fall with a phrase that out - Miltons Milton ? Why indeed , but to represent ...
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Contenido
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
Derechos de autor | |
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Términos y frases comunes
aesthetic allegorical appears beauty becomes beginning belle dame Book called Cockney complex concerns consciousness critics death described desire dream earlier early effect ekphrasis English epigram essay example experience expression eyes fact Fall Fancy figures final Grecian happy honey hope human Hunt Hyperion imagination implied Indicator John Keats Keats's kind language later leaves less Letters lines literary living look Madeline meaning Melancholy Milton mind narrative natural never Nightingale object observer offers once opening original perhaps phrase poem poet poet's poetic poetry political possible present Press Psyche published question readers reference relation represents rhyme Romantic seems seen sense sexual song sonnet speaker St Agnes stanza suggests symbol thing thought tradition truth turn University vision visual voice writing
Referencias a este libro
Lacan, Discourse, and Social Change: A Psychoanalytic Cultural Criticism Mark Bracher Vista previa limitada - 1993 |
Información bibliográfica
| Título | John Keats Bloom's modern critical views |
| Editor | Harold Bloom |
| Edición | 2, ilustrada |
| Editor | Chelsea House, 2007 |
| Procedencia del original | Universidad de California |
| Digitalizado | 15 Mayo 2008 |
| ISBN | 079109314X, 9780791093146 |
| Largo | 272 páginas |
| Exportar cita | BiBTeX EndNote RefMan |