John KeatsRomantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, ""In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare."" Keats' more recognizable poems include ""Ode on a Grecian Urn,"" ""Ode to a Nightingale,"" and ""Ode on Melancholy."" Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
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Página 130
Not only does the description of Porphyro watching Madeline undress in stanzas
twenty - four to twenty - six provide one of the narrative cruxes of the poem , but it
also provides the most explicit — the most visible — figure of reading . Not only ...
Not only does the description of Porphyro watching Madeline undress in stanzas
twenty - four to twenty - six provide one of the narrative cruxes of the poem , but it
also provides the most explicit — the most visible — figure of reading . Not only ...
Página 131
It is , above all , the narrative friction of the double plot in ' St Agnes — Madeline '
s plot to ' see ' her lover and Porphyro ' s plot to see his — that produces the
narrative friction generative of the complex of narrative relationships — narrator
to ...
It is , above all , the narrative friction of the double plot in ' St Agnes — Madeline '
s plot to ' see ' her lover and Porphyro ' s plot to see his — that produces the
narrative friction generative of the complex of narrative relationships — narrator
to ...
Página 132
His plan is simple : to see Madeline . In his first appearance on the scene he '
implores / All saints to give him sight of Madeline ' so that he might “ gaze and
worship all unseen ' ( lines 77 – 80 ) . That he must be ' unseen ' is also vital to his
plot ...
His plan is simple : to see Madeline . In his first appearance on the scene he '
implores / All saints to give him sight of Madeline ' so that he might “ gaze and
worship all unseen ' ( lines 77 – 80 ) . That he must be ' unseen ' is also vital to his
plot ...
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Contenido
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
Derechos de autor | |
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Términos y frases comunes
aesthetic allegorical appears beauty becomes beginning belle dame Book called Cockney complex concerns consciousness critics death described desire dream earlier early effect ekphrasis English epigram essay example experience expression eyes fact Fall Fancy figures final Grecian happy honey hope human Hunt Hyperion imagination implied Indicator John Keats Keats's kind language later leaves less Letters lines literary living look Madeline meaning Melancholy Milton mind narrative natural never Nightingale object observer offers once opening original perhaps phrase poem poet poet's poetic poetry political possible present Press Psyche published question readers reference relation represents rhyme Romantic seems seen sense sexual song sonnet speaker St Agnes stanza suggests symbol thing thought tradition truth turn University vision visual voice writing
Referencias a este libro
Lacan, Discourse, and Social Change: A Psychoanalytic Cultural Criticism Mark Bracher Vista previa limitada - 1993 |
Información bibliográfica
| Título | John Keats Bloom's modern critical views |
| Editor | Harold Bloom |
| Edición | 2, ilustrada |
| Editor | Chelsea House, 2007 |
| Procedencia del original | Universidad de California |
| Digitalizado | 15 Mayo 2008 |
| ISBN | 079109314X, 9780791093146 |
| Largo | 272 páginas |
| Exportar cita | BiBTeX EndNote RefMan |