John KeatsRomantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, ""In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare."" Keats' more recognizable poems include ""Ode on a Grecian Urn,"" ""Ode to a Nightingale,"" and ""Ode on Melancholy."" Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
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Página 35
Nor can the forest scene be legitimately called a “ primal scene ” ( Fry , p . ... The
chiastic structural pattern of bower - cult - cult - bower ( what I have called the
mirror - image shape of the ode ) seems to me clear enough to bring into
question ...
Nor can the forest scene be legitimately called a “ primal scene ” ( Fry , p . ... The
chiastic structural pattern of bower - cult - cult - bower ( what I have called the
mirror - image shape of the ode ) seems to me clear enough to bring into
question ...
Página 47
It is meant to be an of XI expurgated world , from which all disagreeables have
been evaporated , the zied wit sort of world we think the world ought to be , an
Eden which some power ordes called ' the seasonable month ' perpetually '
endows ...
It is meant to be an of XI expurgated world , from which all disagreeables have
been evaporated , the zied wit sort of world we think the world ought to be , an
Eden which some power ordes called ' the seasonable month ' perpetually '
endows ...
Página 80
To borrow Joseph Priestley ' s example , when trees are called the “ hair of
mountains , or the walls of cities their cheeks , ” the figure is a catachresis . 37
Although Keats ' s early critics do not specifically charge him with this “ figure of
abuse ...
To borrow Joseph Priestley ' s example , when trees are called the “ hair of
mountains , or the walls of cities their cheeks , ” the figure is a catachresis . 37
Although Keats ' s early critics do not specifically charge him with this “ figure of
abuse ...
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Contenido
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
Derechos de autor | |
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Términos y frases comunes
aesthetic allegorical appears beauty becomes beginning belle dame Book called Cockney complex concerns consciousness critics death described desire dream earlier early effect ekphrasis English epigram essay example experience expression eyes fact Fall Fancy figures final Grecian happy honey hope human Hunt Hyperion imagination implied Indicator John Keats Keats's kind language later leaves less Letters lines literary living look Madeline meaning Melancholy Milton mind narrative natural never Nightingale object observer offers once opening original perhaps phrase poem poet poet's poetic poetry political possible present Press Psyche published question readers reference relation represents rhyme Romantic seems seen sense sexual song sonnet speaker St Agnes stanza suggests symbol thing thought tradition truth turn University vision visual voice writing
Referencias a este libro
Lacan, Discourse, and Social Change: A Psychoanalytic Cultural Criticism Mark Bracher Vista previa limitada - 1993 |
Información bibliográfica
| Título | John Keats Bloom's modern critical views |
| Editor | Harold Bloom |
| Edición | 2, ilustrada |
| Editor | Chelsea House, 2007 |
| Procedencia del original | Universidad de California |
| Digitalizado | 15 Mayo 2008 |
| ISBN | 079109314X, 9780791093146 |
| Largo | 272 páginas |
| Exportar cita | BiBTeX EndNote RefMan |