John KeatsRomantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, ""In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare."" Keats' more recognizable poems include ""Ode on a Grecian Urn,"" ""Ode to a Nightingale,"" and ""Ode on Melancholy."" Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
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Página 68
Second , because her otherness is a provocative if half - evasive reply to Keats ' s
early critics , the belle dame makes this reception history part of her meaning .
Read in these terms , Keats ' s belle dame suggests how poetic composition may
...
Second , because her otherness is a provocative if half - evasive reply to Keats ' s
early critics , the belle dame makes this reception history part of her meaning .
Read in these terms , Keats ' s belle dame suggests how poetic composition may
...
Página 69
I . KEATS ' S BELLE DAMES Of the two versions of “ La Belle Dame sans Merci ”
that Keats composed , the early draft of April 1819 and the version published in
The Indicator a little more than a year later , readers have usually preferred the ...
I . KEATS ' S BELLE DAMES Of the two versions of “ La Belle Dame sans Merci ”
that Keats composed , the early draft of April 1819 and the version published in
The Indicator a little more than a year later , readers have usually preferred the ...
Página 86
Specifically , the materiality of Keats ' s figures — those “ honey - feels ” that
disgusted his early critics because they consorted with archaic , semi - abstract
figures like Spenser ' s — belong to his signifying practice , much as the realia of
...
Specifically , the materiality of Keats ' s figures — those “ honey - feels ” that
disgusted his early critics because they consorted with archaic , semi - abstract
figures like Spenser ' s — belong to his signifying practice , much as the realia of
...
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Contenido
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
Derechos de autor | |
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Términos y frases comunes
aesthetic allegorical appears beauty becomes beginning belle dame Book called Cockney complex concerns consciousness critics death described desire dream earlier early effect ekphrasis English epigram essay example experience expression eyes fact Fall Fancy figures final Grecian happy honey hope human Hunt Hyperion imagination implied Indicator John Keats Keats's kind language later leaves less Letters lines literary living look Madeline meaning Melancholy Milton mind narrative natural never Nightingale object observer offers once opening original perhaps phrase poem poet poet's poetic poetry political possible present Press Psyche published question readers reference relation represents rhyme Romantic seems seen sense sexual song sonnet speaker St Agnes stanza suggests symbol thing thought tradition truth turn University vision visual voice writing
Referencias a este libro
Lacan, Discourse, and Social Change: A Psychoanalytic Cultural Criticism Mark Bracher Vista previa limitada - 1993 |
Información bibliográfica
| Título | John Keats Bloom's modern critical views |
| Editor | Harold Bloom |
| Edición | 2, ilustrada |
| Editor | Chelsea House, 2007 |
| Procedencia del original | Universidad de California |
| Digitalizado | 15 Mayo 2008 |
| ISBN | 079109314X, 9780791093146 |
| Largo | 272 páginas |
| Exportar cita | BiBTeX EndNote RefMan |