John KeatsRomantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, ""In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare."" Keats' more recognizable poems include ""Ode on a Grecian Urn,"" ""Ode to a Nightingale,"" and ""Ode on Melancholy."" Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
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Página 79
In the phrase that became " honey wild and manna dew ” in the final text of the
draft version , Keats replaced " honey dew ... For example , the anonymous
reviewer for the British Critic complained that by using phrases like " honey - dew
, " and ...
In the phrase that became " honey wild and manna dew ” in the final text of the
draft version , Keats replaced " honey dew ... For example , the anonymous
reviewer for the British Critic complained that by using phrases like " honey - dew
, " and ...
Página 110
... the phrase inside out - an inversion invited by the parallel syntax — we learn
that a Milton executed by the textuality ... meditating saturn ( sic ) and Ops . ' What
the letter presents as a delicious abandon ( ' easeful death ' is the phrase that ...
... the phrase inside out - an inversion invited by the parallel syntax — we learn
that a Milton executed by the textuality ... meditating saturn ( sic ) and Ops . ' What
the letter presents as a delicious abandon ( ' easeful death ' is the phrase that ...
Página 177
This is precisely the strategy of “ Grecian Urn ” ' s last four lines . After rebuffing
the urn at the outset of stanza 5 , the speaker returns to it for one final ekphrastic
rendezvous . And this time he is prepared . He comes equipped with a phrase ...
This is precisely the strategy of “ Grecian Urn ” ' s last four lines . After rebuffing
the urn at the outset of stanza 5 , the speaker returns to it for one final ekphrastic
rendezvous . And this time he is prepared . He comes equipped with a phrase ...
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Contenido
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
Derechos de autor | |
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Términos y frases comunes
aesthetic allegorical appears beauty becomes beginning belle dame Book called Cockney complex concerns consciousness critics death described desire dream earlier early effect ekphrasis English epigram essay example experience expression eyes fact Fall Fancy figures final Grecian happy honey hope human Hunt Hyperion imagination implied Indicator John Keats Keats's kind language later leaves less Letters lines literary living look Madeline meaning Melancholy Milton mind narrative natural never Nightingale object observer offers once opening original perhaps phrase poem poet poet's poetic poetry political possible present Press Psyche published question readers reference relation represents rhyme Romantic seems seen sense sexual song sonnet speaker St Agnes stanza suggests symbol thing thought tradition truth turn University vision visual voice writing
Referencias a este libro
Lacan, Discourse, and Social Change: A Psychoanalytic Cultural Criticism Mark Bracher Vista previa limitada - 1993 |
Información bibliográfica
| Título | John Keats Bloom's modern critical views |
| Editor | Harold Bloom |
| Edición | 2, ilustrada |
| Editor | Chelsea House, 2007 |
| Procedencia del original | Universidad de California |
| Digitalizado | 15 Mayo 2008 |
| ISBN | 079109314X, 9780791093146 |
| Largo | 272 páginas |
| Exportar cita | BiBTeX EndNote RefMan |