John KeatsRomantic poet, John Keats was only 25 when he died of tuberculosis, but his work has achieved canonical status. Poet and critic Matthew Arnold said of Keats, ""In the faculty of naturalistic interpretation, in what we call natural magic, he ranks with Shakespeare."" Keats' more recognizable poems include ""Ode on a Grecian Urn,"" ""Ode to a Nightingale,"" and ""Ode on Melancholy."" Updated with all-new, full-length critical essays selected by Harold Bloom, this volume will draw students into an in-depth study of the brilliant young poet. A chronology, notes on the contributors, and a bibliography round out this useful resource. |
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Página 17
I quote Milton ' s ode , italicizing Keats ' s borrowings for Psyche : The oracles are
dumb , No voice or hideous hum Runs thro ' the arched roof in words deceiving .
Apollo from his shrine Can no more divine , With hollow shriek the steep of ...
I quote Milton ' s ode , italicizing Keats ' s borrowings for Psyche : The oracles are
dumb , No voice or hideous hum Runs thro ' the arched roof in words deceiving .
Apollo from his shrine Can no more divine , With hollow shriek the steep of ...
Página 52
The world in which the voice is heard remains fully human until it plunges into
faery . There is then , I believe , a dramatically sharp change from the humanity of
Ruth amid the busy working world of hired hands on a prosperous farm to the ...
The world in which the voice is heard remains fully human until it plunges into
faery . There is then , I believe , a dramatically sharp change from the humanity of
Ruth amid the busy working world of hired hands on a prosperous farm to the ...
Página 56
In the third stanza , however , either the poet has abandoned his persona and is
speaking in his own voice , or the persona has forgotten his ... The debate then ,
in the first part of the poem , is between two voices , one heard , one unheard .
In the third stanza , however , either the poet has abandoned his persona and is
speaking in his own voice , or the persona has forgotten his ... The debate then ,
in the first part of the poem , is between two voices , one heard , one unheard .
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Contenido
The Ode to Psyche | 13 |
Nightingale and Melancholy | 37 |
Hyperion and The Fall of Hyperion | 97 |
Derechos de autor | |
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Términos y frases comunes
aesthetic allegorical appears beauty becomes beginning belle dame Book called Cockney complex concerns consciousness critics death described desire dream earlier early effect ekphrasis English epigram essay example experience expression eyes fact Fall Fancy figures final Grecian happy honey hope human Hunt Hyperion imagination implied Indicator John Keats Keats's kind language later leaves less Letters lines literary living look Madeline meaning Melancholy Milton mind narrative natural never Nightingale object observer offers once opening original perhaps phrase poem poet poet's poetic poetry political possible present Press Psyche published question readers reference relation represents rhyme Romantic seems seen sense sexual song sonnet speaker St Agnes stanza suggests symbol thing thought tradition truth turn University vision visual voice writing
Referencias a este libro
Lacan, Discourse, and Social Change: A Psychoanalytic Cultural Criticism Mark Bracher Vista previa limitada - 1993 |
Información bibliográfica
| Título | John Keats Bloom's modern critical views |
| Editor | Harold Bloom |
| Edición | 2, ilustrada |
| Editor | Chelsea House, 2007 |
| Procedencia del original | Universidad de California |
| Digitalizado | 15 Mayo 2008 |
| ISBN | 079109314X, 9780791093146 |
| Largo | 272 páginas |
| Exportar cita | BiBTeX EndNote RefMan |