Rhetoric and the Study of LiteratureHenry Holt, 1913 - 410 páginas |
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Página
... 375 Scott's Lady of the Lake 384 Goldsmith's Deserted Village 389 Milton's L'Allegro 394 Milton's Il Penseroso 397 Shakespeare's Macbeth 399 INDEX 409 PART I RHETORIC CHAPTER I THE STUDY OF RHETORIC Rhetoric vi CONTENTS.
... 375 Scott's Lady of the Lake 384 Goldsmith's Deserted Village 389 Milton's L'Allegro 394 Milton's Il Penseroso 397 Shakespeare's Macbeth 399 INDEX 409 PART I RHETORIC CHAPTER I THE STUDY OF RHETORIC Rhetoric vi CONTENTS.
Página 3
... Shakespeare , in all probability , never studied rhetoric in any other way ; he simply observed and practiced till he had mastered the art . But to the average person there comes a time when he feels the need of a friendly guide to ...
... Shakespeare , in all probability , never studied rhetoric in any other way ; he simply observed and practiced till he had mastered the art . But to the average person there comes a time when he feels the need of a friendly guide to ...
Página 23
... I wrote this some years ago that were worth the postage . 10. In Shakespeares plays partly owing to their immense * Rules for punctuation will be found in the Appendix . popularity but quite as much to his unequalled sense for CLEARNESS 23.
... I wrote this some years ago that were worth the postage . 10. In Shakespeares plays partly owing to their immense * Rules for punctuation will be found in the Appendix . popularity but quite as much to his unequalled sense for CLEARNESS 23.
Página 39
... Shakespeare , The house is shown by an old lady . This is what he did write : The house is shown by a garrulous old lady with a frosty red face lighted up by a cold blue , anxious eye , and garnished with artificial locks of flaxen hair ...
... Shakespeare , The house is shown by an old lady . This is what he did write : The house is shown by a garrulous old lady with a frosty red face lighted up by a cold blue , anxious eye , and garnished with artificial locks of flaxen hair ...
Página 62
... Shakespeare's Macbeth has been called " a tempest set to music . " But prose writers too must be musicians . Strong , beauti- ful prose is not metrical , yet it is rhythmical . The sensi- tive ear detects in it a cadence by no means ...
... Shakespeare's Macbeth has been called " a tempest set to music . " But prose writers too must be musicians . Strong , beauti- ful prose is not metrical , yet it is rhythmical . The sensi- tive ear detects in it a cadence by no means ...
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Términos y frases comunes
Addison Amphibrach anapaest Banquo beauty beginning Beowulf better blank verse called canto century CHAPTER character clear climax comedy composition Cynewulf drama effect Elizabethan emotions employed England English essay example Explain expression eyes fiction figures force gained George Eliot give iambic iambic pentameter idea imagination incidents interest Jane Austen Johnson Joseph Addison King L'Allegro Lady language Latin lines literary literature lyric Macbeth masterpieces matter means melody metonymy metrical feet Milton mind narrative nature novel onomatopoeia paper paragraph passages period phrases picture play pleasure plot poem poet poetry popular prose purpose Queen reader rhyme romance Samuel Johnson scene sentence Shakespeare Silas Marner simile simple skill songs Spectator speech stanza story story-telling suggest syllables tell TENNYSON things thought tion topical tragedy trochee truth verse words writing written
Pasajes populares
Página 201 - What thou art we know not: What is most like thee ? From rainbow clouds there flow not Drops so bright to see, As from thy presence showers a rain of melody. Like a poet hidden In the light of thought, Singing hymns unbidden, Till the world is wrought To sympathy with hopes and fears it heeded not...
Página 55 - STUDIES serve for delight, for ornament, and for ability. Their chief use for delight is in privateness and retiring ; for ornament, is in discourse ; and for ability, is in the judgment and disposition of business. For expert men can execute, and perhaps judge of particulars, one by one ; but the general counsels, and the plots, and marshalling of affairs come best from those that are learned.
Página 52 - They tell us, sir, that we are weak; unable to cope with so formidable an adversary. But when shall we be stronger? Will it be the next week, or the next year? Will it be when we are totally disarmed, and when a British guard shall be stationed in every house?
Página 219 - Thus Satan talking to his nearest mate With head uplift above the wave, and eyes That sparkling blazed; his other parts besides Prone on the flood, extended long and large, Lay floating many a rood...
Página 233 - While he from forth the closet brought a heap Of candied apple, quince, and plum, and gourd, With jellies soother than the creamy curd, And lucent syrops, tinct with cinnamon, Manna and dates, in argosy transferr'd From Fez, and spiced dainties, every one, From silken Samarcand to cedar'd Lebanon.
Página 44 - I conjure you, by that which you profess, Howe'er you come to know it, answer me: Though you untie the winds and let them fight Against the churches; though the yesty waves Confound and swallow navigation up; Though bladed corn be lodged and trees blown down; Though castles topple on their warders...
Página 55 - To spend too much time in studies is sloth; to use them too much for ornament is affectation; to make judgment wholly by their rules is the humor of a scholar. They perfect nature, and are perfected by experience: for natural abilities are like natural plants, that need pruning, by study; and studies themselves, do give forth directions too much at large, except they be bounded in by experience. Crafty men condemn studies, simple men admire them, and wise men use them...
Página 344 - What is it thou hast seen? or what hast heard?" And answer made the bold Sir Bedivere: "I heard the ripple washing in the reeds, And the wild water lapping on the crag.
Página 231 - Reaper Behold her, single in the field, Yon solitary Highland Lass! Reaping and singing by herself; Stop here, or gently pass! Alone she cuts and binds the grain, And sings a melancholy strain; O listen! for the Vale profound Is overflowing with the sound.
Página 212 - In the Spring a fuller crimson comes upon the robin's breast; In the Spring the wanton lapwing gets himself another crest; In the Spring a livelier iris changes on the burnish'd dove; In the Spring a young man's fancy lightly turns to thoughts of love.