COURSE OF PSALMS AND HYMNS FOR THE SUNDAYS AND HOLYDAYS THROUGHOUT THE YEAR. SUNDAYS OF ADVENT 1st-Hymns 1, 2, 76, 102, 103. 2nd-Psalm 119 Part 2. Hymns 1, 69, 84. 3rd-Hymns 3, 85, 104, 107, 108. 4th-Hymns 1, 2, 4, 86, 105, 109. CHRISTMAS-DAY-Hymns 5, 6, 7, 8, 9. SUNDAY AFTER CHRISTMAS-Hymns 5, 6, 7, 68, 116. SUNDAYS AFTER EPIPHANY- 4th-Psalm 98. 5th-Psalms 18, 139. 6th-Ps. 19 Pt. 2, 72 Pt. 1. SEPTUAGESIMA SUNDAY-Ps. SEXAGESIMA-Psalm 23. QUINQUAGESIMA-Psalm 42. ASH WEDNESDAY-Psalm 51. SUNDAYS IN LENT1st-Psalm 6. Hymns 10, 11, 65, 66. 19 Pt. 1, 111. H. 102, 112. Hymns 53, 85, 109. COURSE OF PSALMS AND HYMNS. SUNDAY BEFORE EASTER-Psalm 6. Hs. 14, 15, 54, 73. GOOD FRIDAY-Hymns 15, 16, 54, 57, 74. EASTER EVE- Hymns 17, 109. EASTER DAY- Hymns 18, 19, 20, 75. SUNDAYS AFTER EASTER 1st-Psalm 100. 2nd-Psalms 34 Pt. 1, 133. 3rd-Psalm 34 Part 2. 4th-Psalms 57, 136. Hymns 43, 73, 75. Hymns 93, 101. Hymns 45, 61, 113. Hymns 64, 100. Hymns 46, 99, 104. 5th-Psalm 63. ASCENSION DAY-Psalms 24, 47. Hymns 21, 22. SUNDAY AFTER ASCENSION DAY-Ps. 24, 47. 22, 77, 78. Hymns WHIT SUNDAY-Hymns 23, 24, 25, 62, 63, 64, 85. TUNES. In order that all the tunes named in the following list may be identified, reference is given to works in which they may be found. These works, which are referred to by number, are as follows: i. The Cheadle Handbook of fifty-five Psalm-tunes -Ollivier, Pall Mall. Price 9d., or 6d. in Treble and Bass only. ii. The Church Music Book. J. Whitaker, 41 Pall Mall. In six parts, price ls. each part. iii. Crotch's Collection of Psalm-tunes, edited by G. J. Elvey, R. Mills, 140, New Bond-street. £1 4s., or in separate voice parts 2s. each. Price iv. Parish Choir, vol. 3. Ollivier, Pall Mall. Price 9s. v. Harmonia Sacra. J. A. Novello. Price £1. 1s. The selection and arrangement of the tunes in this book are far from good. It is referred to, as being a popular work, only for the sake of identifying a few tunes, which are not found in the foregoing works. The 'Amen' at the end of certain hymns is to be sung on the key note, the parts being taken in the chords of the fifth or dominant and the tonic. A few of the best tunes are marked with an asterisk, as an aid to inexperienced choirs in making a selection. CLASS I. JOYFUL. LONG MEASURE. *Angel's song, i. ii. iii. iv. Burton or Derby, iii. Carey's or Surrey, ii. iii (called' Yarmouth or Carey's'.) Cologne, ii. Islington, v. Kent or Devonshire, iii. Norfolk, i. *Old Hundredth, i. ii. iii. iv. Warrington, v. *Winchester new, i. ii (in common time). iii. CLASS II. LONG MEASURE. PENITENTIAL. St. Luke's, (by Jeremiah Clarke.) v. *Spires, i. ii. 'Vexilla Regis.' iv. CLASS III. LONG MEASURE. MISCELLANEOUS. *Barthélemon's Morning Hymn, i. ii. iiì. Honiton, v. Melcombe, i. ii. iii. iv. Old Martin's, ii. Ratisbon, ii. *Rockingham, i. ii. iii. iv. St. Gregory's, iii. iv. St. Luke's, (double tune,) iv. ་ *St. Mark's, i. ii (called ' Trent'). iii. iv (called 'Com |