The Dubious Spectacle: Extremities of Theater, 1976-2000U of Minnesota Press, 2002 M01 1 - 347 páginas Spanning a quarter of a century, the essays in this book rehearse, in the movement of memory and cross-reflection, an extensive career in theater. The work of Herbert Blau-his directing, writing, and criticism-has been a determining force during this period as theater encounters theory. Blau's struggle to bring a critical intelligence to the American stage goes back half a century, to the quiescent postwar years (which he has eloquently described in The Impossible Theater: A Manifesto). His innovations in performance began with early productions of now-canonical plays that were hardly known at that time (works by Brecht, Beckett, Genet, Pinter, Duerrenmatt, and others). His experience is as distinctive as his versatile habits of mind and conceptual urgency of style. If the impossible takes a little time (as the title of one essay states), Blau's struggle now continues in a theoretical vein. Performance-and his own compelling writing- has moved across other genres and disciplines into fashion, politics, sexuality, and theory. His diversity of thought is demonstrated here in commentaries about the newer modes of performance (including conceptual and body art), various American playwrights, Renaissance drama, new music and theater, voice, the senses and the baroque, and the photographic image. As the essays reflect upon each other, a kind of cultural history, with inflections of autobiography, develops-which is what readers of Blau's previous books have come to expect. |
Dentro del libro
Resultados 1-5 de 53
... sixties — not all that much , though the essay pays attention to what there was at the time , with the Wooster Group and Squat , the Mabou Mines , and the work of Wilson and Foreman . " Spacing Out in the American Theater " refers to ...
... sixties ) where the action is . And that is , truly , where it was at , even if , as in Waiting for Godot , there was next to no action at all . If not impelling social change these ( so - called ) absurdist plays gave a more stringent ...
... lenging in those first encounters back in the fifties and sixties with Brecht , Beckett , and Genet . To be sure , whatever their charms , Didi and Gogo , Anna Fierling , Madame Irma were not exactly scientific or Introduction xix.
... sixties I staged her first produc- tion . As for Williams , his Suddenly Last Summer was one of the first plays I ever directed , and early on , too , I staged his Camino Real , which , at a time when I was still proving myself as a ...
... sixties , the impetus and support for it had diminished through the seventies , bottoming out in the eighties . And now we increasingly wonder , in a globalized economy expanding through cyberspace , about what sort of collectivity can ...
Contenido
Theater at the End of the Real | 9 |
2 The Impossible Takes a Little Time | 26 |
3 Spacing Out in the American Theater | 45 |
Rehearsing the Resistance | 61 |
5 A Dove in My Chimney | 70 |
An Analytic Scenario | 78 |
The Grail of the Voice | 126 |
Chills and Fever Mourning and the Vanities of the Sublime | 140 |
13 Readymade Desire | 207 |
From Tango Palace to Mud | 214 |
The Group Idea and Its Legacy | 223 |
New Music and Theater | 238 |
17 FlatOut Vision | 254 |
Sovereign Pleasure and the Baroque Subject in the Tragicomedies of John Fletcher | 273 |
Revising the Abyss | 289 |
The Insane Root | 315 |
9 The Dubious Spectacle of Collective Identity | 145 |
Subtext of a Syllabus for the Arts in America | 165 |
Educating the American Theater | 189 |
12 The Pipe Dreams of ONeill in the Age of Deconstruction | 197 |
Notes | 329 |
343 | |
345 | |
Otras ediciones - Ver todas
The Dubious Spectacle: Extremities of Theater, 1976-2000 Herbert Blau Sin vista previa disponible - 2002 |