The Sum of All Heresies: The Image of Islam in Western ThoughtOxford University Press, 2007 M11 21 - 232 páginas Current global tensions and the spread of terrorism have resurrected in the West a largely negative perception of Islamic society, an ill will fueled by centuries of conflict and prejudice. Shedding light on the history behind these hostile feelings, Frederick Quinn's timely volume traces the Western image of Islam from its earliest days to recent times. Quinn establishes four basic themes around which the image of Islam gravitates throughout history: the Prophet as Antichrist, heretic, and Satan; the Prophet as Fallen Christian, corrupted monk, or Arab Lucifer; the prophet as sexual deviant, polygamist, and charlatan, and the Prophet as Wise Easterner, Holy Person, and dispenser of wisdom. A feature of the book is a strong portrayal of Islam in literature, art, music, and popular culture, drawing on such sources as Cervantes's Don Quixote; the Orientalism of numerous visual artists; the classical music of Monteverdi and Mozart; and more recent cultural manifestations, such as music hall artists like Peter Dawson and Edith Piaf; and stage or silver screen representations like The Garden of Allah, The Sheik, Aladdin, and The Battle of Algiers. Quinn argues that an outpouring of positive information on basically every aspect of Islamic life has yet to vanquish the hostile and malformed ideas from the past. Conflict, mistrust, and misunderstanding characterize the Muslim-Christian encounter, and growing examples of cooperation are often overshadowed by anger and suspicion. In this important book, Quinn highlights long-standing historical prejudices but also introduces the reader to some of the landmark voices in history that have worked toward a greater understanding of Islam. |
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Página 3
... religious leaders, and the general public. This topic in its emotional complexity—the image of Islam as it has developed in the West—is the subject of this book. Some of the subject matter discussed in this work is porous— we are ...
... religious leaders, and the general public. This topic in its emotional complexity—the image of Islam as it has developed in the West—is the subject of this book. Some of the subject matter discussed in this work is porous— we are ...
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... religious beliefs and apply them in the unique settings in which they live and have their being. My response to this problem is to use each term in the context in which it first appeared, admitting its imprecision. The book's focus is ...
... religious beliefs and apply them in the unique settings in which they live and have their being. My response to this problem is to use each term in the context in which it first appeared, admitting its imprecision. The book's focus is ...
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... religions (and Judaism) are based on love, peace, and forgiveness. Prayer, generosity of spirit, and good works are ... religious and cultural mistrust and hatred. Let me explain where I began this journey, one that many others have ...
... religions (and Judaism) are based on love, peace, and forgiveness. Prayer, generosity of spirit, and good works are ... religious and cultural mistrust and hatred. Let me explain where I began this journey, one that many others have ...
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... religious voices. Progress was never linear and easy to fit on a flowchart; progress was always more episodic, with an individual voice here or there until recent times. But if the forces of mistrust and hatred were present on both ...
... religious voices. Progress was never linear and easy to fit on a flowchart; progress was always more episodic, with an individual voice here or there until recent times. But if the forces of mistrust and hatred were present on both ...
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... religious skyline now contains mosques, in addition to churches and synagogues, symbols of earlier established religions. The American Muslim community in the early twenty-first century was variously estimated from three to nearly six ...
... religious skyline now contains mosques, in addition to churches and synagogues, symbols of earlier established religions. The American Muslim community in the early twenty-first century was variously estimated from three to nearly six ...
Contenido
3 | |
17 | |
2 The Time of Araby Has Come at Last 16001800 | 55 |
3 The Prophet as Hero and Wise Easterner 18001900 | 91 |
4 Nous Revenons Saladin We Return Saladin 19002000 | 125 |
5 The Summing Up | 159 |
Am I Not Your Lord? Kenneth Cragg on MuslimChristian Dialogue | 173 |
Notes | 181 |
Selected Bibliography | 201 |
Index | 215 |
Otras ediciones - Ver todas
The Sum of All Heresies: The Image of Islam in Western Thought Frederick Quinn Vista previa limitada - 2008 |
The Sum of All Heresies: The Image of Islam in Western Thought Frederick Quinn Vista previa limitada - 2007 |
The Sum of All Heresies: The Image of Islam in Western Thought Frederick Quinn Vista previa limitada - 2007 |
Términos y frases comunes
Africa Albert Hourani Algeria Allah American Antichrist Arabian Nights Arabic artists Barbary Barbary pirates became believed Bible British Cairo called Catholic century Christ Christian Christian–Muslim church civilizations countries Cragg Crusades culture David Samuel Margoliouth despite divine Duncan Black Macdonald early Egypt Egyptian emerged Empire enemies England English Europe Europe’s European faith film France French Gairdner Garden of Allah German Gibbon global God’s historian Holy Land Hourani image of Islam imagery Internet version Jerusalem Jesus Jews John Koran languages later leaders lecture literature lived London Loti Louis Massignon Mahomet Massignon Mecca Middle East Middle Eastern military missionary mosque Muhammad Muslim Muslim–Christian mystical Napoleon Orient Orientalist Ottoman Persian political pope pope’s popular Prophet Quoted ibid religion religious represented Roman Saladin Saracens scholars sexual Sheik society Spain spent sultan T. E. Lawrence themes theology Tolan translation Turkish Turks University Press West Western writers wrote York