The Adventures of a Shakespeare Scholar: To Discover Shakespeare's Art, Volumen10University of Delaware Press, 1997 - 365 páginas Rarely does a scholar single-handedly point Shakespeare study in a new direction. But in the 1950s, when brilliant insights were being achieved in Shakespeare's language, and a few theatre historians were recording stagings and stage business, Marvin Rosenberg led the way to a wider perspective of the poet-playwright's genius. He insisted that Shakespeare's art fused poetry-of-the-word with poetry-of-the-theatre, each illuminating the other inseparably. |
Dentro del libro
Resultados 1-5 de 59
Página 8
... Century Theater ( In Studies in Philology 51 , January 1954 255 25. Shame on You , David Garrick - or , What the Victorian Theater Did to Shakespeare's Tragedies ( Ohio Shakespeare Conference , Toledo , 1987 ) 271 26. Translations of ...
... Century Theater ( In Studies in Philology 51 , January 1954 255 25. Shame on You , David Garrick - or , What the Victorian Theater Did to Shakespeare's Tragedies ( Ohio Shakespeare Conference , Toledo , 1987 ) 271 26. Translations of ...
Página 17
... century . Luckily for me , when I began to pay tribute to the poet - playwright in the 1950s , colleagues generously included my papers on programs at scholarly conferences , and journals published my essays — including my very first ...
... century . Luckily for me , when I began to pay tribute to the poet - playwright in the 1950s , colleagues generously included my papers on programs at scholarly conferences , and journals published my essays — including my very first ...
Página 23
... century ) of tragic character ; but his rare unhappy references to how the playwright's work could be illuminated in the theater indicated how uncomfortable he was with Shakespeare's artistic instrument . Since then , as we are being ...
... century ) of tragic character ; but his rare unhappy references to how the playwright's work could be illuminated in the theater indicated how uncomfortable he was with Shakespeare's artistic instrument . Since then , as we are being ...
Página 25
... centuries in the theater , for which he created it . That is what this book is about . My essays group themselves naturally to honor the two prime wonders of Shakespeare's art : Character and Language . I add , for historical rea- sons ...
... centuries in the theater , for which he created it . That is what this book is about . My essays group themselves naturally to honor the two prime wonders of Shakespeare's art : Character and Language . I add , for historical rea- sons ...
Página 41
Alcanzaste el límite de visualización de este libro.
Alcanzaste el límite de visualización de este libro.
Otras ediciones - Ver todas
The Adventures of a Shakespeare Scholar: To Discover Shakespeare ..., Volumen10 Marvin Rosenberg Vista de fragmentos - 1997 |
Términos y frases comunes
action actors aesthetic ambiguity Angelo arousal artistic asked audience Banquo Cassio character characterization child Claudius colleagues comedy complex contextual Cordelia critics David Garrick death Desdemona drama Duke Edgar eighteenth century Elizabethan emotional essay experience eyes fantasy father feel Fool Garrick Gertrude gestures Gloster Hall hero human Iago Iago's imagery imagine impulses Isabella Kemble kill kind King Lear Lady Macbeth Laertes language Lear's learned linear lines look Masks Measure for Measure mind Modern Language Association motivation moved murder Ophelia Othello passion patterns performance perhaps personality play play's playwright poetry Polonius polyphony power Hamlet rehearsals response role Salvini scene scholars Scofield seems sense sexual Shake Shakespeare Conference shock soliloquy sometimes sound speak speare's spectators speech stage Stratford subtext suggest sweet Hamlet symbolic theater thing thou thought tion tragedy tragic tragic heroes verbal videotape visual voice words
Pasajes populares
Página 108 - O, reason not the need ! our basest beggars Are in the poorest thing superfluous : Allow not nature more than nature needs, Man's life is cheap, as beast's : thou art a lady ; If only to go warm were gorgeous, Why, nature needs not what thou gorgeous wear'st, Which scarcely keeps thee warm.
Página 106 - Hear, nature, hear ; dear goddess, hear ! — Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase ; And from her derogate body never spring A babe to honour her ! If she must teem, Create her child of spleen ; that it may live, And be a thwart disnatured torment to her...
Página 110 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads, and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these...
Página 125 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Página 98 - From too much liberty, my Lucio, liberty ; As surfeit is the father of much fast, So every scope by the immoderate use Turns to restraint; our natures do pursue (Like rats that ravin down their proper bane,) A thirsty evil ; and when we drinK, we die.
Página 290 - I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.
Página 209 - Sir, I love you more than words can wield the matter; Dearer than eyesight, space, and liberty; Beyond what can be valued, rich or rare...
Referencias a este libro
Acting from Shakespeare's First Folio: Theory, Text and Performance Don Weingust Vista de fragmentos - 2006 |
Shakespearean Scholarship: A Guide for Actors and Students Leslie O'Dell Vista de fragmentos - 2002 |