The Adventures of a Shakespeare Scholar: To Discover Shakespeare's Art, Volumen10University of Delaware Press, 1997 - 365 páginas Rarely does a scholar single-handedly point Shakespeare study in a new direction. But in the 1950s, when brilliant insights were being achieved in Shakespeare's language, and a few theatre historians were recording stagings and stage business, Marvin Rosenberg led the way to a wider perspective of the poet-playwright's genius. He insisted that Shakespeare's art fused poetry-of-the-word with poetry-of-the-theatre, each illuminating the other inseparably. |
Dentro del libro
Resultados 1-5 de 61
Página 20
... almost describes how his resentment toward his father is softening : A most poor man . . . Who by the art of known and feeling sorrows , Am pregnant to good pity . 4.6.221-23 But not quite yet delivered of it . How much 20 PROLOGUE.
... almost describes how his resentment toward his father is softening : A most poor man . . . Who by the art of known and feeling sorrows , Am pregnant to good pity . 4.6.221-23 But not quite yet delivered of it . How much 20 PROLOGUE.
Página 21
... feel his urge to give his name , his love , as we follow one of Shake- speare's suspenseful linear character transitions . Shakespeare partly builds his action on the mystery in Edgar's troubled character , on his silences — will he ...
... feel his urge to give his name , his love , as we follow one of Shake- speare's suspenseful linear character transitions . Shakespeare partly builds his action on the mystery in Edgar's troubled character , on his silences — will he ...
Página 29
... feels , what he does , what he does not do , what he says , what he does not say , what people think and say of him . But what will mainly identify his character for us are the human traits Shakespeare invested in him , that determine ...
... feels , what he does , what he does not do , what he says , what he does not say , what people think and say of him . But what will mainly identify his character for us are the human traits Shakespeare invested in him , that determine ...
Página 33
... feels his Lady bound to him by love ; but she does not provide the supporting counterpoint he needs when he seems , midway , broken by his hallucinations . She who seemed at first stronger A METAPHOR FOR THE IDENTITY OF TRAGIC HEROES 33.
... feels his Lady bound to him by love ; but she does not provide the supporting counterpoint he needs when he seems , midway , broken by his hallucinations . She who seemed at first stronger A METAPHOR FOR THE IDENTITY OF TRAGIC HEROES 33.
Página 34
... feel : also poor , vain , cruel , treach- erous , snatching ruthlessly over friend and kinsman . . . . Soaring imagination , heroic courage , animal cunning , instinctive nobility , and craven hypocrisy .. brutal enough to kill , noble ...
... feel : also poor , vain , cruel , treach- erous , snatching ruthlessly over friend and kinsman . . . . Soaring imagination , heroic courage , animal cunning , instinctive nobility , and craven hypocrisy .. brutal enough to kill , noble ...
Otras ediciones - Ver todas
The Adventures of a Shakespeare Scholar: To Discover Shakespeare ..., Volumen10 Marvin Rosenberg Vista de fragmentos - 1997 |
Términos y frases comunes
action actors aesthetic ambiguity Angelo arousal artistic asked audience Banquo Cassio character characterization child Claudius colleagues comedy complex contextual Cordelia critics David Garrick death Desdemona drama Duke Edgar eighteenth century Elizabethan emotional essay experience eyes fantasy father feel Fool Garrick Gertrude gestures Gloster Hall hero human Iago Iago's imagery imagine impulses Isabella Kemble kill kind King Lear Lady Macbeth Laertes language Lear's learned linear lines look Masks Measure for Measure mind Modern Language Association motivation moved murder Ophelia Othello passion patterns performance perhaps personality play play's playwright poetry Polonius polyphony power Hamlet rehearsals response role Salvini scene scholars Scofield seems sense sexual Shake Shakespeare Conference shock soliloquy sometimes sound speak speare's spectators speech stage Stratford subtext suggest sweet Hamlet symbolic theater thing thou thought tion tragedy tragic tragic heroes verbal videotape visual voice words
Pasajes populares
Página 108 - O, reason not the need ! our basest beggars Are in the poorest thing superfluous : Allow not nature more than nature needs, Man's life is cheap, as beast's : thou art a lady ; If only to go warm were gorgeous, Why, nature needs not what thou gorgeous wear'st, Which scarcely keeps thee warm.
Página 106 - Hear, nature, hear ; dear goddess, hear ! — Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase ; And from her derogate body never spring A babe to honour her ! If she must teem, Create her child of spleen ; that it may live, And be a thwart disnatured torment to her...
Página 110 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads, and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these...
Página 125 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Página 98 - From too much liberty, my Lucio, liberty ; As surfeit is the father of much fast, So every scope by the immoderate use Turns to restraint; our natures do pursue (Like rats that ravin down their proper bane,) A thirsty evil ; and when we drinK, we die.
Página 290 - I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.
Página 209 - Sir, I love you more than words can wield the matter; Dearer than eyesight, space, and liberty; Beyond what can be valued, rich or rare...
Referencias a este libro
Acting from Shakespeare's First Folio: Theory, Text and Performance Don Weingust Vista de fragmentos - 2006 |
Shakespearean Scholarship: A Guide for Actors and Students Leslie O'Dell Vista de fragmentos - 2002 |