The Adventures of a Shakespeare Scholar: To Discover Shakespeare's Art, Volumen10University of Delaware Press, 1997 - 365 páginas Rarely does a scholar single-handedly point Shakespeare study in a new direction. But in the 1950s, when brilliant insights were being achieved in Shakespeare's language, and a few theatre historians were recording stagings and stage business, Marvin Rosenberg led the way to a wider perspective of the poet-playwright's genius. He insisted that Shakespeare's art fused poetry-of-the-word with poetry-of-the-theatre, each illuminating the other inseparably. |
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Página 18
... seen it ( see Chapter 13 ) . The reactions of the " naives " helped me discover anew the playwright's architectonics ( see , for instance , Chapter 5 , " Hamlet's Spiritual Crisis . " ) . Then to Shakespeare's words . I gloried in them ...
... seen it ( see Chapter 13 ) . The reactions of the " naives " helped me discover anew the playwright's architectonics ( see , for instance , Chapter 5 , " Hamlet's Spiritual Crisis . " ) . Then to Shakespeare's words . I gloried in them ...
Página 25
... seen , to add to my store of theatrical illuminations of the texts — and I hope they ( and all readers ) , will go on doing so as I work now on my fifth book . The Masks of " Antony and Cleopatra . " I am daily grateful for the bounty ...
... seen , to add to my store of theatrical illuminations of the texts — and I hope they ( and all readers ) , will go on doing so as I work now on my fifth book . The Masks of " Antony and Cleopatra . " I am daily grateful for the bounty ...
Página 37
... seen the California Shakespeare Festival Hamlet . I asked my colleagues to play Hamlet with me . I have enjoyed Shakespeare conferences particularly . As with all such meetings , often we are presented with brilliant gems of scholarship ...
... seen the California Shakespeare Festival Hamlet . I asked my colleagues to play Hamlet with me . I have enjoyed Shakespeare conferences particularly . As with all such meetings , often we are presented with brilliant gems of scholarship ...
Página 39
... seen a would - be Hamlet come along who says all the lines , performs the actions required of him , and yet does not provide us with a person , an identity , we can relate to ? Unless we can sense such a synthesis , we must feel ...
... seen a would - be Hamlet come along who says all the lines , performs the actions required of him , and yet does not provide us with a person , an identity , we can relate to ? Unless we can sense such a synthesis , we must feel ...
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The Adventures of a Shakespeare Scholar: To Discover Shakespeare ..., Volumen10 Marvin Rosenberg Vista de fragmentos - 1997 |
Términos y frases comunes
action actors aesthetic ambiguity Angelo arousal artistic asked audience Banquo Cassio character characterization child Claudius colleagues comedy complex contextual Cordelia critics David Garrick death Desdemona drama Duke Edgar eighteenth century Elizabethan emotional essay experience eyes fantasy father feel Fool Garrick Gertrude gestures Gloster Hall hero human Iago Iago's imagery imagine impulses Isabella Kemble kill kind King Lear Lady Macbeth Laertes language Lear's learned linear lines look Masks Measure for Measure mind Modern Language Association motivation moved murder Ophelia Othello passion patterns performance perhaps personality play play's playwright poetry Polonius polyphony power Hamlet rehearsals response role Salvini scene scholars Scofield seems sense sexual Shake Shakespeare Conference shock soliloquy sometimes sound speak speare's spectators speech stage Stratford subtext suggest sweet Hamlet symbolic theater thing thou thought tion tragedy tragic tragic heroes verbal videotape visual voice words
Pasajes populares
Página 108 - O, reason not the need ! our basest beggars Are in the poorest thing superfluous : Allow not nature more than nature needs, Man's life is cheap, as beast's : thou art a lady ; If only to go warm were gorgeous, Why, nature needs not what thou gorgeous wear'st, Which scarcely keeps thee warm.
Página 106 - Hear, nature, hear ; dear goddess, hear ! — Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase ; And from her derogate body never spring A babe to honour her ! If she must teem, Create her child of spleen ; that it may live, And be a thwart disnatured torment to her...
Página 110 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads, and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these...
Página 125 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Página 98 - From too much liberty, my Lucio, liberty ; As surfeit is the father of much fast, So every scope by the immoderate use Turns to restraint; our natures do pursue (Like rats that ravin down their proper bane,) A thirsty evil ; and when we drinK, we die.
Página 290 - I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.
Página 209 - Sir, I love you more than words can wield the matter; Dearer than eyesight, space, and liberty; Beyond what can be valued, rich or rare...
Referencias a este libro
Acting from Shakespeare's First Folio: Theory, Text and Performance Don Weingust Vista de fragmentos - 2006 |
Shakespearean Scholarship: A Guide for Actors and Students Leslie O'Dell Vista de fragmentos - 2002 |