The Adventures of a Shakespeare Scholar: To Discover Shakespeare's Art, Volumen10University of Delaware Press, 1997 - 365 páginas Rarely does a scholar single-handedly point Shakespeare study in a new direction. But in the 1950s, when brilliant insights were being achieved in Shakespeare's language, and a few theatre historians were recording stagings and stage business, Marvin Rosenberg led the way to a wider perspective of the poet-playwright's genius. He insisted that Shakespeare's art fused poetry-of-the-word with poetry-of-the-theatre, each illuminating the other inseparably. |
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Página 19
... condition by this blind old man , before he agrees to guide him ? What of the eloquent moments when we surely want Edgar to speak , as when he hears his blinded father lament , O dear son Edgar . . . Might I but PROLOGUE 19.
... condition by this blind old man , before he agrees to guide him ? What of the eloquent moments when we surely want Edgar to speak , as when he hears his blinded father lament , O dear son Edgar . . . Might I but PROLOGUE 19.
Página 20
... speaking without dialect , Edgar approves of Gloster's promise to the gods to be patient . Edgar may even have reached a point of reconciliation of putting or wanting to put — a caring hand on Gloster's arm , or across his back . Well ...
... speaking without dialect , Edgar approves of Gloster's promise to the gods to be patient . Edgar may even have reached a point of reconciliation of putting or wanting to put — a caring hand on Gloster's arm , or across his back . Well ...
Página 21
... speaking over several scenes , as we see Edgar , after his first rough imper- sonal escorting , more and more gently guide his father , more and more let us feel his urge to give his name , his love , as we follow one of Shake- speare's ...
... speaking over several scenes , as we see Edgar , after his first rough imper- sonal escorting , more and more gently guide his father , more and more let us feel his urge to give his name , his love , as we follow one of Shake- speare's ...
Página 32
... speaking the lines , of king , liar , hypocrite , tyrant . Through it all the old voices of the initial Macbeth — warrior , poet , phi- losopher , husband , lover — are heard , but no longer sounding of inno- cence , now only of despair ...
... speaking the lines , of king , liar , hypocrite , tyrant . Through it all the old voices of the initial Macbeth — warrior , poet , phi- losopher , husband , lover — are heard , but no longer sounding of inno- cence , now only of despair ...
Página 69
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The Adventures of a Shakespeare Scholar: To Discover Shakespeare ..., Volumen10 Marvin Rosenberg Vista de fragmentos - 1997 |
Términos y frases comunes
action actors aesthetic ambiguity Angelo arousal artistic asked audience Banquo Cassio character characterization child Claudius colleagues comedy complex contextual Cordelia critics David Garrick death Desdemona drama Duke Edgar eighteenth century Elizabethan emotional essay experience eyes fantasy father feel Fool Garrick Gertrude gestures Gloster Hall hero human Iago Iago's imagery imagine impulses Isabella Kemble kill kind King Lear Lady Macbeth Laertes language Lear's learned linear lines look Masks Measure for Measure mind Modern Language Association motivation moved murder Ophelia Othello passion patterns performance perhaps personality play play's playwright poetry Polonius polyphony power Hamlet rehearsals response role Salvini scene scholars Scofield seems sense sexual Shake Shakespeare Conference shock soliloquy sometimes sound speak speare's spectators speech stage Stratford subtext suggest sweet Hamlet symbolic theater thing thou thought tion tragedy tragic tragic heroes verbal videotape visual voice words
Pasajes populares
Página 108 - O, reason not the need ! our basest beggars Are in the poorest thing superfluous : Allow not nature more than nature needs, Man's life is cheap, as beast's : thou art a lady ; If only to go warm were gorgeous, Why, nature needs not what thou gorgeous wear'st, Which scarcely keeps thee warm.
Página 106 - Hear, nature, hear ; dear goddess, hear ! — Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase ; And from her derogate body never spring A babe to honour her ! If she must teem, Create her child of spleen ; that it may live, And be a thwart disnatured torment to her...
Página 110 - Poor naked wretches, wheresoe'er you are, That bide the pelting of this pitiless storm, How shall your houseless heads, and unfed sides, Your loop'd and window'd raggedness, defend you From seasons such as these...
Página 125 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Página 98 - From too much liberty, my Lucio, liberty ; As surfeit is the father of much fast, So every scope by the immoderate use Turns to restraint; our natures do pursue (Like rats that ravin down their proper bane,) A thirsty evil ; and when we drinK, we die.
Página 290 - I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ.
Página 209 - Sir, I love you more than words can wield the matter; Dearer than eyesight, space, and liberty; Beyond what can be valued, rich or rare...
Referencias a este libro
Acting from Shakespeare's First Folio: Theory, Text and Performance Don Weingust Vista de fragmentos - 2006 |
Shakespearean Scholarship: A Guide for Actors and Students Leslie O'Dell Vista de fragmentos - 2002 |