621 DOXOLOGY.

R. A. SMITH.

And I heard as it were the voice of a great multitude, and as the voice of many waters, and as the voice of mighty thunderings, saying:

*Hallelujah!

For the Lord God omnipotent reigneth.

The kingdoms of this world are become the kingdoms of our Lord, and of His Christ;

And He shall reign for ever and ever;

King of kings, and Lord of lords:

Hallelujah!'

All Saints (New)

Sir Herbert S. Oakeley, LL.D., Mus. Doc., 1830-
Samuel Webbe's Antiphons, 1792
Rev. Benjamin Russell Hanby, 1833-1867
William Henry Monk, Mus. Doc., 1823-1889
Edward Bunnett, Mus. Doc., 1834-

Vincent Novello, 1781-1861

Rev. G. P. Merrick, M.A., Mus. Bac.

Henry Stephen Cutler, Mus. Doc., 1824

L.M.

Irregular.

7.7., with refrain.
8.7.8.7.4.7.

7.7.7.6.

C.M.

S.M.

C.M. D.

Darmstädter Gesangbuch, 1698, and Störl's 8.7.8.7.7.7.

Würtemberger Gesangbuch, 1711

Rev. Robert Lowry, D.D., 1826-
John Pyke Hullah, LL.D., 1812-1884
Rev. J. B. Dykes, Mus. Doc., 1823-1876
Orlando Gibbons, Mus. Doc., 1583-1625
Adapted from Georg Josephi, 1657.

Edwin George Monk, Mus. Doc., 1819-
From Georg Friedrich Handel, 1685-1759
Rev. Joachim Neander, 1640-1680
Bateman's Sacred Melodies, 1843
Rev. Ethelbert William Bullinger, D.D.
From Thomas Augustine Arne, 1710-1778
Albert Lister Peace, Mus. Doc., 1844-
Johann Georg Frech, 1790-1864.

James Kim Scott, 1839-1883.

Sir Arthur S. Sullivan, Mus. Doc., 1842-.

J. S. Bach's Vierstimmige Choral gesänge, 1769
Samuel Sebastian Wesley, Mus. Doc.,

1876

Franz Josef Haydn, Mus. Doc., 1732-1809
Melody of the Eighteenth Century.
Barthélémon (?)

8.7.8.7. D.
Special setting.
8.8.8.4.

L.M.

L.M.

8.5.8.5.8.4.3.
C.M., with repeat.
6.6.8. D. 3.3.6.6.
C.M.,with refrain.
8.5.8.3.

C.M.

7.6.8.6.

C.M.

II.IO.II.IO.

C.M. D.

1810-

S.M.
7.6.7.6. D.