Stiller becomes the watery abyss, "The whirlpool has seized on many a ship, "He lives! He is there! The abyss could not smother! The brave one was allowed to save He lands: the shouting choir surround; Me swiftly down-from between the crags There hung the cup on a coral steep, Far underneath it lay below, Gleaming with dim and purple glow, From my faint grasp the coral bough, Down which I was clambering-then the surge Seiz'd me, but sav'd me-I could now emerge." The king wondered much thereat, and said: And hurl'd it into the whirlpool amain. With affectionate looks o'er the chasm they THE RENEGADE. A ROMANCE. Continued. To the north of Luteve the mountain of Carenal reflected the last rays of the setting sun. The hour appointed by Goudair for the assembling of the mountaineers at length arrived. Ezilda advanced amidst the enthusiastic throng. Arrayed in white, and covered with a long transparent veil, she looked like the genuis of heroic inspiration, smiling on the sons of glory. The princess addressed herself to the warlike circle, and unfolded to them the plan which her courageous mind had conceived. Not far from Carenal, on the summit of a steep mountain, rose the fortress of Segorum, built by the Romans, and which from its situation seemed almost inaccessible. On the declivity of the hill a celebrated chapel had for many years attracted pilgrims from all parts of Gaul. It had been built by Thierri III., the last King of France, in fulfilment of a pious vow; it was consecrated to Our Lady of Cevennes, and the numerous miracles which were supposed to be performed in the holy edifice frequently attracted throngs of strangers to Segorum. The fortress belonged to the Princess of Cevennes, but had yielded to the infidels. The princess now conceived the bold design of reconquering it, a measure which seemed necessary to restore the faith and reinspire the courage of the mountaineers. Ezilda conducted her warlike train through the narrow passes of Carenal, and succeeded in obtaining access to the fortress by the effect of her charms on a sentinel. A sanguinary combat now commenced. The first detachment of the assailants had entered the garrison. Among the besieged terror flew from post to post, and consternation was painted on every countenance. A new tumult was heard proceeding from the watch-tower of the fortress. The second detachment, consisting of six hundred mountaineers, had forced an entrance. The Princess of Cevennes appeared on the ramparts, in her hand she held the sword of the commandant of Sego rum, who had been made prisoner. "The citadel has surrendered (said the heroine,) let the combat instantly cease!" Among the Saracen chiefs who had been wounded and carried from the scene of action, was Alaor, the friend of Agobar. Having escorted the sisters of St. Amalberge to the first French posts, he had proceeded to Segorum with despatches for the commandant. The princess gave orders that he should receive every requisite attendance, and that no efforts should be spared to save his life. She next threw open the prisons of the fortress, where several French battalions were confined. What was her surprise to find that she had liberated Leodat and his followers! On separating from the princess, near the miraculous grotto, the Prince of Avernes and his little detachment were surrounded by the enemy's legions, and the Mussulmans had conveyed their captives to Segorum. The princess retired to the eastern tower to pass the night. Previous to the taking of Segorum, Ezilda secretly vowed that if Heaven should favor her enterprise, she would visit the holy chapel of the mountain to return thanks to the Almighty, and to make an offering to Our Lady of Cevennes of some trophy of the victory. Faithful to her vow, Ezilda rose at break of day, and taking the sword and shield which she had received from the Arab commandant of the fortress, she descended the staircase of the tower and proceeded to the chapel. The chapel of Segorum had been built only twenty-seven years. At the period of its erection, the Queen of France had presented an heir to Thierri III., and public rejoicings celebrated the birth of Clodomir. But the royal infant soon fell dangerously ill. Convinced that the air of the south of France would prove beneficial to the queen and his son, the king accompanied them to Marseilles, and from thence embarked for Narbonne. A dreadful tempest arose ; the royal vessel was separated from its escort, and was attacked by an Algerine pirate. The crew defended themselves with intrepidity; but, being overpowered by numbers, they were on the point of surrendering. "Oh! Holy Virgin of Cevennes, (exclaimed the king,) save Clodomir, and I will consecrate a temple to thee on the hill of Segorum!" But a fatal arrow had pierced the breast of Clodomir. The French soldiers fought desperately against the elements and their assailants. Their persevering energy surmounted every obstacle, the storm abated, and the pirate fled. The royal vessel reached the coast in safety; Clodomir recovered, and Thierri's vow was faithfully fulfilled. Below the ramparts of Segorum a magnificent chapel was erected to the Virgin, and near the altar was placed a picture representing the queen and her young son at the moment when the arrow pierced the infant's breast. On the right of the picture stood a marble statue of Thierri, kneeling, and pronouncing the solemn vow. The Princess of Luteve entered the chapel. Numerous wax tapers, which had been lighted on the preceding evening in celebration of the taking of Segorum, still illuminated the sanctuary. Ezilda placed the Saracen sword and shield on the altar, and returned thanks to Heaven for her brilliant victory. Forgetting the dangers she had encouncountered and the fatigues she had endured, her heart was filled with favorable presentiments. Her hands were clasped, and with her eyes fixed on the bridal ring which formerly promised her a throne, she sighed and recollected the solemn hour when the descendant of Clovis led her to the altar: "O Clodomir!" she exclaimed, raising her eyes to the picture which surmounted the altar. The noise of footsteps in terrupted her. She turned and beheld a warrior of tall stature attentively observing her. His gold helmet was surmounted by a red and black plume, and his vizor was lowered. No less agitated than surprised, the princess immediately rose; but soon resuming her wonted courage, "Who are you?" she exclaimed, looking steadfastly at the warrior." I am Agobar !" ex40 ATHENEUM VOL. 11. claimed the Renegade, raising his vizor. row pierces the breast of the young descendant of Clovis; the wound was deep, and the scar will be for ever visible." He opened his coat of mail. Every doubt now vanished. Ezilda recognised the scar which in the days of her childhood had frequently attracted her observation. The princess uttered not a word. For the first time in her life her courage failed her, and, bathed in tears, she gazed on the royal sword of Thierri III. "You hate me, (resumed Agobar,) you must hate me! But do not suppose you are bound to fulfil your vows to the Renegade. No, Ezilda, Clodomir breaks the bridal ring!"-"Never! (exclaimed the heroine.) Death alone shall break the bonds that unite us together. You cannot render back my vows; but you can do more-you can restore me to Clodomir!"-" No, (replied the warrior ;) in the career in which fate has thrown me, I have marched with giant strides to retreat is impossible.-But (continued he, with vehemence, perceiving the sword and shield of the Arab commandant,) who has placed these arms on the altar ?-Enough: all is explained: presumptuous woman! Ezilda is the heroine of Segorum!" At this moment the Prince of Avernes, accompanied by a few followers, entered the chapel. Having learned that the princess had quitted the fort, he doubted not that she had gone to offer up thanksgivings in the JULY, 1793. sanctuary, and he hastened to meet her. "Surrender, infidel!" he exclaimed, on perceiving Agobar.-"Only with my life!" replied the Renegade, taking up the royal sword of Thierri III., and he rushed on his adversary, resolving that his life should be dearly sold. Ezilda turned paleshe no longer beheld the Renegade. The Mussulman chief was the heir of the French throne-he was Clodomir her husband. Leodat had wounded his enemy. The daughter of Theobert rushed between the combatants. "Prince (she said) respect this hero; his person is sacred! Agobar is my prisoner. Chief of the Mussulmans, follow me." She led her prisoner to the gate of the chapel, where his Arabian courser awaited him. "Son of Thierri, (she said,) instantly fly this spot!"-Overcome with emotion, Agobar seized the hand of his liberatress,"Magnanimous Ezilda! (he exclaimed,) when our nuptial rings were exchanged, what felicity awaited me!— the throne of France and thy heart. How my hopes have vanished! How my happiness has fled!" He was about to mount his courser, but suddenly turning, "Ezilda (he said) I have one boon to ask. Within the walls of Segorum, Alaor is your captive; restore to me my young brother in arms; grant this favor to Agobar.” "I grant it to Clodomir," said the princess, and she returned to the citadel. Biography. ROBERT CLARE, THE POET FARMER BOY, BORN. THIS Northamptonshire peasant, whose poems have been recently classed, and we think deservedly with the productions of Burns and of Bloomfield, was born at Helpstone, a village most unpoetically situated at the easternmost point of Northampton-shire, adjoining the Lincolnshire fens. He learnt to spell of the village schoolmistress, and before he was six years old, was able to read a chapter in the Bible. At the age of twelve he assisted in the la borious employment of threshing; the boy, in his father's own words, was weak but willing, and the good old man made a flail for him somewhat suitable to his strength. When his share of the day's toil was over, he eagerly ran to the village school under the belfrey, and in this desultory and casual manner gathered his imperfect knowledge of language, and skill in writing. At the early period of which we are speaking, Clare felt the poetic oestrum. He relates, that twice or thrice in the winter weeks it was his office to fetch a bag of flour from the village of Maxey, and darkness often came on before he could return. The state of his nerves corresponded with his slender frame. The tales of terror with which his mother's memory shortened the long nights returned freshly to his fancy the next day; and to beguile the way and dissipate his fears, he used to walk back with his eyes fixed immovably on the ground, revolving in his mind some adventure 'without a ghost in it,' which he turned into verse; and thus, he adds, he reached the village of Helpstone often before he was aware of its approach. The clouds which had hung so heavily over the youth of Clare, far from dispersing, grew denser and darker as he advanced towards manhood. His father, who had been the constant associate of his labours, became more and more infirm, and he was constrained to toil alone, and far beyond his strength, to obtain a mere subsistence. It was at this cheerless moment he composed What is Life?' in which he has treated a common subject with an earnestness, a solemnity, and an originality, deserving of all praise: some of the lines have a terseness of expression and a nervous freedom of versification not unworthy of Drummond, or of Cowley. WHAT IS LIFE? And what is Life ?—An hour-glass on the run, A busy, bustling, still-repeated dream,— Its length ?-A minute's pause, a moment's thought. That in the act of seizing shrinks to nought. And what is Hope ?-The puffing gale of morn, Which stings more keenly through the thin disguise. A long and lingering sleep, the weary crave, Since every thing that meets our foolish eyes 'Tis but a trial all must undergo; To teach unthankful mortal how to prize THE SUMMER MORNING. The cocks have now the morn foretold, The sleepy rustic gloomy goes ; And every floweret's silken top, BY CLARE. 'Tis sweet to meet the morning breeze, While glittering dew the ground illumes, And hear the skylark whistling nigh, |