More Things Than are Dreamt of: Masterpieces of Supernatural Horror, from Mary Shelley to Stephen King, in Literature and FilmFor centuries, perhaps from the beginning of time, people young and old have been drawn to the genre of supernatural horror, first on the printed page and then on the screen. From fairy tales to Freddy Krueger, the appeal of the genre rests on the all too human search for something above nature, something unknown and unnameable. This search has produced works as memorable as they are terrifying, and we feel their power once again in More Things Than Are Dreamt Of. The sweep of the book encompasses almost two centuries as it reconsiders in detail such classics of literature as Mary Shelley's Frankenstein, tales of Edgar Allan Poe, Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde, Henry James' The Turn of the Screw and Oscar Wilde's The Picture of Dorian Gray, right up to such contemporary novels of horror as Shirley Jackson's The Haunting of Hill House, Ira Levin's Rosemary's Baby, William Peter Blatty's The Exorcist and Stephen King's The Dead Zone. But what sets this book apart is that the authors go on to study the most significant feature films derived from these and many other works of fiction, from the silent era until today. Theme, plot, characters and place, the primary elements of the novels and stories, are considered first as originally conceived and then again as they achieve a new and often different life on the screen. Explaining the why and the how of these acts of transformation is the great accomplishment of More Things Than Are Dreamt Of, a book that enhances our understanding of both literature and film. And of course all the while it helps us to experience again those agreeable shudders and chills that come from beyond our dreams. |
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Página 74
His obsession is to isolate good and evil , “ the separation of these elements . If each , I told myself , could but be housed in separate entities , life would be relieved of all that was unbearable ; the unjust might go his way ...
His obsession is to isolate good and evil , “ the separation of these elements . If each , I told myself , could but be housed in separate entities , life would be relieved of all that was unbearable ; the unjust might go his way ...
Página 99
Because it emanates from a central source that is , in the pantheistic tradition , never clearly defined evil in Machen is never fully detailed . Given only hints and clues as to the power and source of this great mystery , " the reader ...
Because it emanates from a central source that is , in the pantheistic tradition , never clearly defined evil in Machen is never fully detailed . Given only hints and clues as to the power and source of this great mystery , " the reader ...
Página 160
The real and omnipresent threat of evil forces which lurk just outside the natural world , waiting for a fissure in the time - space continuum to reemerge and claim their their luckless , predestined victims , is a central part of ...
The real and omnipresent threat of evil forces which lurk just outside the natural world , waiting for a fissure in the time - space continuum to reemerge and claim their their luckless , predestined victims , is a central part of ...
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Contenido
The Other Bram Stoker | 31 |
H P Lovecraft | 61 |
Oscar Wilde | 89 |
Derechos de autor | |
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Otras ediciones - Ver todas
More Things Than are Dreamt of: Masterpieces of Supernatural Horror, from ... Alain Silver Vista previa limitada - 1994 |
More Things Than are Dreamt of: Masterpieces of Supernatural Horror, from ... James Ursini,Alain Silver Vista de fragmentos - 1994 |
Términos y frases comunes
adaptation appear audience Basil Rathbone becomes begins Black body called character Charles classic Color comes Corman created creature Daniel dark David dead death demon devil Directed Director of Photog Director of Photography Dorian Gray Editor effects Eleanor Elizabeth evil eyes face fact Fall fiction figure film filmmakers final finds Flora force Frankenstein genre George ghosts governess hand Haunting Henry Holden horror House human Hyde innocent Italy James Jekyll John Karswell light look Lovecraft Machen's Mary Michael Miles minutes Monster Music narrative nature Night novel opening original Paul person Peter plays Poe's Produced Production Designer Quint raphy reader Richard Robert Saylor scene Script seems sense sexual shot Son of Frankenstein soul staging Starring Stoker story style supernatural terror things tion Turn Universal Usher Victor viewer visual wife woman writing young