More Things Than are Dreamt of: Masterpieces of Supernatural Horror, from Mary Shelley to Stephen King, in Literature and FilmLimelight Editions, 1994 - 226 páginas For centuries, perhaps from the beginning of time, people young and old have been drawn to the genre of supernatural horror, first on the printed page and then on the screen. From fairy tales to Freddy Krueger, the appeal of the genre rests on the all too human search for something above nature, something unknown and unnameable. This search has produced works as memorable as they are terrifying, and we feel their power once again in More Things Than Are Dreamt Of. The sweep of the book encompasses almost two centuries as it reconsiders in detail such classics of literature as Mary Shelley's Frankenstein, tales of Edgar Allan Poe, Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde, Henry James' The Turn of the Screw and Oscar Wilde's The Picture of Dorian Gray, right up to such contemporary novels of horror as Shirley Jackson's The Haunting of Hill House, Ira Levin's Rosemary's Baby, William Peter Blatty's The Exorcist and Stephen King's The Dead Zone. But what sets this book apart is that the authors go on to study the most significant feature films derived from these and many other works of fiction, from the silent era until today. Theme, plot, characters and place, the primary elements of the novels and stories, are considered first as originally conceived and then again as they achieve a new and often different life on the screen. Explaining the why and the how of these acts of transformation is the great accomplishment of More Things Than Are Dreamt Of, a book that enhances our understanding of both literature and film. And of course all the while it helps us to experience again those agreeable shudders and chills that come from beyond our dreams. |
Dentro del libro
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Página 108
... viewer could fail to expect that the subject of the film was Satanism and that a demon would appear . From the standpoint of genre expecta- tions , putting the demon in the prologue immediately both fulfills the apprehension of the ...
... viewer could fail to expect that the subject of the film was Satanism and that a demon would appear . From the standpoint of genre expecta- tions , putting the demon in the prologue immediately both fulfills the apprehension of the ...
Página 112
... viewer's genre expectations nor a first - person or flashback framework . In fact , at some level , a viewer might even want Holden to meet the fire demon and be convinced once and for all that such things do exist , even though it ...
... viewer's genre expectations nor a first - person or flashback framework . In fact , at some level , a viewer might even want Holden to meet the fire demon and be convinced once and for all that such things do exist , even though it ...
Página 128
... viewer based on the expectation of a cut , a tension which makes the viewer coexperience the character's nervous apprehension . As she sings and her emotions vacillate between eagerness to begin her new job and concern about fulfilling ...
... viewer based on the expectation of a cut , a tension which makes the viewer coexperience the character's nervous apprehension . As she sings and her emotions vacillate between eagerness to begin her new job and concern about fulfilling ...
Contenido
The Other Bram Stoker | 31 |
H P Lovecraft | 61 |
Robert Louis Stevenson 73 28885 | 89 |
Derechos de autor | |
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Otras ediciones - Ver todas
More Things Than are Dreamt of: Masterpieces of Supernatural Horror, from ... Alain Silver Vista previa limitada - 1994 |
More Things Than are Dreamt of: Masterpieces of Supernatural Horror, from ... James Ursini,Alain Silver Vista de fragmentos - 1994 |
Términos y frases comunes
adaptation appear audience Basil Rathbone becomes begins Black body called character Charles classic Color comes Corman created creature Daniel dark David dead death demon devil Directed Director of Photog Director of Photography Dorian Gray Editor effects Eleanor Elizabeth evil eyes face fact Fall fiction figure film filmmakers final finds Flora force Frankenstein genre ghosts governess hand Haunting Henry Hill Holden horror House human Hyde innocent Italy James Jekyll John Karswell light look Lovecraft Machen's Mary Michael Miles minutes Monster Music narrative nature Night novel opening original Paul person Peter plays Poe's Produced Production Designer Quint raphy reader Richard Robert Saylor scene Script seems sense sexual shot Son of Frankenstein soul staging Starring Stoker story style supernatural terror things tion Turn Universal Usher Victor viewer visual wife woman writing young