The Original Rhythmical Grammar of the English Language |
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Página 45
Hence we find the thcory of artificial measurement , and the practice of
pronouncing the dead languages , in almost every instance , in direct opposition
to each other . 0 . 1. Examples of the Semibrief o Oh happiness ! our being's end
and aim .
Hence we find the thcory of artificial measurement , and the practice of
pronouncing the dead languages , in almost every instance , in direct opposition
to each other . 0 . 1. Examples of the Semibrief o Oh happiness ! our being's end
and aim .
Página 86
Examples of Organic Emphasis , with the Pauses not filled up . two three four five
. one These syllables , if distinctly pronounced , have two peculiarities ; namely ,
each has the organic emphasis , and each has a pause after it , thus : oner twor ...
Examples of Organic Emphasis , with the Pauses not filled up . two three four five
. one These syllables , if distinctly pronounced , have two peculiarities ; namely ,
each has the organic emphasis , and each has a pause after it , thus : oner twor ...
Página 240
Give an example ? 6. In that example , what syllables have the organic emphasis
? 7. Which is the light syllable or word ? 8. What is syllabic emphasis ? 9. Give
one example . 10. What is this force or emphasis improperly called , and by
whom ...
Give an example ? 6. In that example , what syllables have the organic emphasis
? 7. Which is the light syllable or word ? 8. What is syllabic emphasis ? 9. Give
one example . 10. What is this force or emphasis improperly called , and by
whom ...
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Contenido
Music Its original use Equally applicable | 1 |
CHAP II | 17 |
CHAP III | 40 |
Derechos de autor | |
Otras 18 secciones no mostradas
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Términos y frases comunes
accent accidents according acute applied artificial beauty begin cadence called common composed consequence considered distinct effect elocution emphasis English equal examples expression eyes fall feeling feet force four give grace Grammar grave Greek hand heart heaven heavy kind language learned length light light syllables look loud manner marked means measure melody meter mind mode monotone nature necessary never notes o'er object observed organs passion pauses poetry present principles produce pronounced proper properly proportion prose prosody quantity reader reading and speaking reason require rest rhetorical rhythm rhythmical rising rules sense sentence short sing soft song sound speaker speaking speech spoken sweet syllables taste thing thou thought tion tone triple varieties verse voice written