The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 páginas |
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Página 18
... according to the position of the words ; whether in question or answer , in a suspended , or in a final pause ; in a negative , a conditional , or an affirmative expression . The accents vary in degree , according to the pitch of the ...
... according to the position of the words ; whether in question or answer , in a suspended , or in a final pause ; in a negative , a conditional , or an affirmative expression . The accents vary in degree , according to the pitch of the ...
Página 101
... according to the number of these impulses , or heavy syllables in the line , and their periodical distances from each other . This , it is presumed , must have been the origin of song , the ear being so constituted as to be delighted ...
... according to the number of these impulses , or heavy syllables in the line , and their periodical distances from each other . This , it is presumed , must have been the origin of song , the ear being so constituted as to be delighted ...
Página 108
... according to artificial prosody , extremely de- fective . The measure fixed by the rules of prosody must have been extremely different from that mentioned by Lon- ginus . Measure , according to that distinguished critic , belongs to ...
... according to artificial prosody , extremely de- fective . The measure fixed by the rules of prosody must have been extremely different from that mentioned by Lon- ginus . Measure , according to that distinguished critic , belongs to ...
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Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words