The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 páginas |
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Página 12
... artificial prosody . Artificial prosody , therefore , could never have been made , as some have imagined , with the view to a more intimate union of music and poetry : because if music should observe these quantities as fixed by the ...
... artificial prosody . Artificial prosody , therefore , could never have been made , as some have imagined , with the view to a more intimate union of music and poetry : because if music should observe these quantities as fixed by the ...
Página 191
... Artificial Feet . In pla- ces far | or near , Or famous or | obscure , Where whole - some is ❘ the air , Or where the most | impure . 1 3. Five and Four Rhythmical Cadences . When all thy mercies , ' | O my | God , " " My rising soul ...
... Artificial Feet . In pla- ces far | or near , Or famous or | obscure , Where whole - some is ❘ the air , Or where the most | impure . 1 3. Five and Four Rhythmical Cadences . When all thy mercies , ' | O my | God , " " My rising soul ...
Página 213
... artificial prosodists . When he wishes his numbers and language to be in unison with the pas- sions he depicts , the expression of which would be marred with the incongruity of smoothness , he soars beyond the powers of artificial ...
... artificial prosodists . When he wishes his numbers and language to be in unison with the pas- sions he depicts , the expression of which would be marred with the incongruity of smoothness , he soars beyond the powers of artificial ...
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Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words