The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 páginas |
Dentro del libro
Resultados 1-3 de 34
Página 103
... common to triple , or from triple to common time . - Exceptions . In common rhythm or time , a cadence of three syllables may be admissible , provided it occu- pies no more time , in the pronunciation , than a common cadence : as , To ...
... common to triple , or from triple to common time . - Exceptions . In common rhythm or time , a cadence of three syllables may be admissible , provided it occu- pies no more time , in the pronunciation , than a common cadence : as , To ...
Página 113
... common and triple , the indefiniteness of the figures obliges them to have recourse to words , which are still not sufficiently precise . By these words musicians mean to point out the species of time under cach genus of common and ...
... common and triple , the indefiniteness of the figures obliges them to have recourse to words , which are still not sufficiently precise . By these words musicians mean to point out the species of time under cach genus of common and ...
Página 114
... common time , we have all the varieties , from the slowest walking inovement , to the quickest running measure ; for , while the and the are alternate , the measure is common , without respect to the rapidity of their alternations ...
... common time , we have all the varieties , from the slowest walking inovement , to the quickest running measure ; for , while the and the are alternate , the measure is common , without respect to the rapidity of their alternations ...
Otras ediciones - Ver todas
Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words