The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 páginas |
Dentro del libro
Resultados 1-3 de 29
Página 19
... expressing the same ideas in the same words , and yet differing most distinctly in their accents . This misapplication ... expression , and grace . As EVERY syllable in spoken language , is ACCEN- TED , let EVERY syllable have the ACCENT ...
... expressing the same ideas in the same words , and yet differing most distinctly in their accents . This misapplication ... expression , and grace . As EVERY syllable in spoken language , is ACCEN- TED , let EVERY syllable have the ACCENT ...
Página 109
... expression . The expressions , or rather the affections of heavy and light , are necessarily the governing principles of rhythm , for they are as constantly alternate and periodical as the pulse itself , and must be continued , by ...
... expression . The expressions , or rather the affections of heavy and light , are necessarily the governing principles of rhythm , for they are as constantly alternate and periodical as the pulse itself , and must be continued , by ...
Página 152
... expression with which a good actor would have delivered them , if he had been speaking without any musical ... expressions of piano and forte , of qualities , stac- cato and sostenuto of accents , alto and basso , of empha- sis ' ' and ...
... expression with which a good actor would have delivered them , if he had been speaking without any musical ... expressions of piano and forte , of qualities , stac- cato and sostenuto of accents , alto and basso , of empha- sis ' ' and ...
Otras ediciones - Ver todas
Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words