The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 páginas |
Dentro del libro
Resultados 1-3 de 21
Página 115
... feet , or artificial prosody , cannot answer in any suitable degree to rhythm ; for the commen tators have told us ... feet , is , to say the least of it , inac- curate and indecisive : and hence it may be demon- strated , that those who ...
... feet , or artificial prosody , cannot answer in any suitable degree to rhythm ; for the commen tators have told us ... feet , is , to say the least of it , inac- curate and indecisive : and hence it may be demon- strated , that those who ...
Página 191
... Feet . In pla- ces far | or near , Or famous or | obscure , Where whole - some is ❘ the air , Or where the most | impure . 1 3. Five and Four Rhythmical Cadences . When all thy mercies , ' | O my | God , " " My rising soul surveys ...
... Feet . In pla- ces far | or near , Or famous or | obscure , Where whole - some is ❘ the air , Or where the most | impure . 1 3. Five and Four Rhythmical Cadences . When all thy mercies , ' | O my | God , " " My rising soul surveys ...
Página 194
... feet , the cadences are in- verted and the music destroyed , by making the feet run from light to heavy . .. 2. By the first or rhythmical mode , the pauses are properly distributed and marked for rhetorical reading , and their time ...
... feet , the cadences are in- verted and the music destroyed , by making the feet run from light to heavy . .. 2. By the first or rhythmical mode , the pauses are properly distributed and marked for rhetorical reading , and their time ...
Otras ediciones - Ver todas
Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words