The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 páginas |
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Página 68
... give rules for this part of elocution , is as difficult as to give rules for the melody of a sentence ; which may be consider- ed as impossible . - The style of an author , his subject , his tune and his time ; the various shades of ...
... give rules for this part of elocution , is as difficult as to give rules for the melody of a sentence ; which may be consider- ed as impossible . - The style of an author , his subject , his tune and his time ; the various shades of ...
Página 240
James Chapman. 4. When does it take place ? 5. Give an example ? 6. In that example , what syllables have the or- ganic emphasis ? 7. Which is the light syllable or word ? 8. What is syllabic emphasis ? 9. Give one example . 10. What is ...
James Chapman. 4. When does it take place ? 5. Give an example ? 6. In that example , what syllables have the or- ganic emphasis ? 7. Which is the light syllable or word ? 8. What is syllabic emphasis ? 9. Give one example . 10. What is ...
Página 249
... Give an example . 40. How many reasons can you give why verse is more easily read than prose ? 41. Mention these reasons . 42. What are the feeblest and heaviest lines in our verse ? 43. Why is verse more easily committed to me- mory ...
... Give an example . 40. How many reasons can you give why verse is more easily read than prose ? 41. Mention these reasons . 42. What are the feeblest and heaviest lines in our verse ? 43. Why is verse more easily committed to me- mory ...
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Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words