The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 páginas |
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Página 43
James Chapman. The length of the shortest quantity , the , is equal to the time of pronouncing the word it , or is ... lengths , as to suppose there was no such thing as quan tity in the syllables of any language . For this reason we find ...
James Chapman. The length of the shortest quantity , the , is equal to the time of pronouncing the word it , or is ... lengths , as to suppose there was no such thing as quan tity in the syllables of any language . For this reason we find ...
Página 107
... length ; some being simple meters of one foot , and others compound- ed of two feet , of various lengths ; and , of course , not reducible within the compass of equal periodical pul- sations like our cadences . For cadences always begin ...
... length ; some being simple meters of one foot , and others compound- ed of two feet , of various lengths ; and , of course , not reducible within the compass of equal periodical pul- sations like our cadences . For cadences always begin ...
Página 217
James Chapman. verses . Quantity , in prosody , means the length of syllables in pronunciation , —that is to say , the length of time necessary for the proper utterance of cach syllable . " Notwithstanding the seeming importance of the ...
James Chapman. verses . Quantity , in prosody , means the length of syllables in pronunciation , —that is to say , the length of time necessary for the proper utterance of cach syllable . " Notwithstanding the seeming importance of the ...
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Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words