The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 páginas |
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Página 129
... Loud , marked thus ; louder , marked thus ; loudest , marked thus . that loud and soft are But this is an error . necessary connection Commentators have told us , governing principles of rhythm . This accident of speech has no with ...
... Loud , marked thus ; louder , marked thus ; loudest , marked thus . that loud and soft are But this is an error . necessary connection Commentators have told us , governing principles of rhythm . This accident of speech has no with ...
Página 245
... loud , louder , and loudest ? 8. May a sentence or clause of twenty cadences be loud and the next twenty soft ? 9. In such passages , whether loud or soft , must every cadence begin heavy and end light ? 10. Are force and poize two ...
... loud , louder , and loudest ? 8. May a sentence or clause of twenty cadences be loud and the next twenty soft ? 9. In such passages , whether loud or soft , must every cadence begin heavy and end light ? 10. Are force and poize two ...
Página 283
... loud and long , " And the stormy tempests | blow . " r 3 . 7 Bri - tannia needs no | bulwark , ' No towers a - long the steep : " Her march is on the mountain wave , " " Her home is on the deep : " " With thunder from her native oak ...
... loud and long , " And the stormy tempests | blow . " r 3 . 7 Bri - tannia needs no | bulwark , ' No towers a - long the steep : " Her march is on the mountain wave , " " Her home is on the deep : " " With thunder from her native oak ...
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Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words