The Original Rhythmical Grammar of the English LanguageGeorg Olms Verlag, 1976 - 348 páginas |
Dentro del libro
Resultados 1-3 de 35
Página 105
... mode of measuring our verse is contrary to the best mode of reading it , their disapproval ought not to be received . When they have laid aside their pedantic prejudices , and the practice of consulting the jargon of erroneous theory ...
... mode of measuring our verse is contrary to the best mode of reading it , their disapproval ought not to be received . When they have laid aside their pedantic prejudices , and the practice of consulting the jargon of erroneous theory ...
Página 106
... mode of measuring yerse , it will be observed , that the cadences are all inverted , that is , a light syllable begins every cadence or foot , and consequently all the musical proportions are de- stroyed . This mode of scanning poetry ...
... mode of measuring yerse , it will be observed , that the cadences are all inverted , that is , a light syllable begins every cadence or foot , and consequently all the musical proportions are de- stroyed . This mode of scanning poetry ...
Página 194
... modes of measuring our verse : .. 1. By the rhythmical mode of measuring , the na- tural and musical cadences are all preserved entire , and run distinctly from heavy to light : -By the second , or artificial feet , the cadences are in ...
... modes of measuring our verse : .. 1. By the rhythmical mode of measuring , the na- tural and musical cadences are all preserved entire , and run distinctly from heavy to light : -By the second , or artificial feet , the cadences are in ...
Otras ediciones - Ver todas
Términos y frases comunes
accidents of language acute accent acute and grave Anapest ancient applied Arsis and Thesis Artificial Feet artificial prosody beauty called circumflex composed dactyl degrees Demosthenes diphthong distinct elocution English English language equal Examples expression eyes force grace Grammar grammarians grave accent Greek and Latin Greek language guage heart heaven heavy and light heavy syllable honour iambus inflexions light syllables loud and soft marked meter monosyllables monotone nature nerally never nosyllables notes o'er organic emphasis organs of speech passion peculiar pleasure poet poetry poize pronounced pronunciation proper proportion prose prosodians quantity reader reading and speaking rhetorical pauses rhythm Rhythmical Cadences rules scanning semibrief sense sentence Shakespeare sing Slow song soul sound speaker spoken language spondee sweet syllabic emphasis taste thee thou tion tone triple cadences trochee varieties verse virtue voice vowel words